The Voodoo Music + Arts Experience 2013 City Park New Orleans, LA November 1-3, 2013
The 15th Voodoo Music + Arts Experience was the first to be held on New Orleans' City Park's new festival grounds. The new space brought some new challenges. There were no benches on the festival grounds and minimal shadea departure from previous years. The new layout featured fewer stages and as a result, fewer acts. Longtime festival attendees had trouble finding some of their favorite vendors (including the general store which was placed far off the beaten path). The vendors, stages and carnival rides all seemed to be placed closer together than in the past in the "old" festival ground area. Sound bled from one stage to anotherthe Le Plur (EDM) stage was the chief culprit, often drowning out the music from the other stages. Confusion reigned supreme regarding the simplest thingsscanning the electronic wristbands that served as multi-day tickets (new to this year's festival), purchasing of single day tickets, parking, locating the Loa Lounge and press areas, and most importantly, finding the new festival grounds. In short, this "new" Voodoo Fest experienced quite a lot of growing pains.
That being said the festival, as always, featured national headlining acts (Pearl Jam, Nine Inch Nails and the Cure), as well as well known locals such as Royal Teeth, Glen David Andrews and the inimitable Dr. John
. In addition, Macklemore & Ryan Lewis, Calvin Harris, Paramore, Bassnectar, Matt & Kim, the Gaslight Anthem, Alkaline Trio and Kid Rock were some of the bigger name acts that also received top billing. Many of these acts are household names. Most of the others are recognizable to many or, at the very least, familiar enough that their names are known to even the passing music fan. Each delivered a stellar and epic set that left its fans clamoring for more.
But it is another aspect of the three day eventthe unexpected Voodoo that makes the festival a must see. This year artists such as Shovels And Rope, Moon Taxi, the Breton Sound, Billy Squier, ZZ Ward, Big Gigantic, Quintron & Miss Pussycat, Electric Sons, Youngblood Hawke, Beats Antique, John Michael Rouchell, LP, Ruby Amanfu, Sports & Leisure, Robert Delong, CC Adcock and The Lafayette Marquis, Fleur Debris and Revivalists delivered amazing and engaging performances during the three-day extravaganza.
Friday, November 1
The unquestioned highlight of Day 1 was Pearl Jam. Their headlining set was crisp, tight, energetic and fantastic! The songschosen by former New Orleans Saint and Pearl Jam friend Steve Gleason (who is battling ALS, aka Lou Gehrig's disease)were an amazingly thoughtful mix of the band's classics and its best and strongest new material. When Gleason, in his wheelchair and with the help of a voice synthesizer, introduced the band, the crowd cheered enthusiastically. It was evident that the applause, whistles, support and adulation was directed just as much toward the brave Gleason as it was toward the band.
Once the cheering died down Pearl Jam got to work, opening with "Sirens" from the band's 2013 release Lightning Bolt (Monkeywrench/Republic Records). Frontman Eddie Vedder's charisma, showmanship and unparalleled voice filled the area around the Ritual Stage. Vedder's compassion toward his friend Gleason was quite evident. He wore a "Team Gleason" wristband during the performance and dedicated the song "Inside Job" to Gleason.
The performance was special. The inspired set list included an audience sing-a-long version of "Jeremy," "Corduroy," "Daughter," "Save You," "Even Flow," "Given to Fly" and many more. Lightning Bolt was further represented by the title track, "Getaway" and the punky "Mind Your Manners."
Vedder and company pulled out all the stops. The first encore was the Mother Love Bone composition "Chloe Dancer/Crown of Thorns." It was followed by "Do the Evolution," "Go," "Black," "Alive," and an out-of-this-world version of Neil Young's "Rockin' in the Free World." At the end of the show, guitarist Mike McCready, sporting a "Team Gleason" t-shirt, performed a personal solo during "Yellow Ledbetter" for the fallen player (who was watching the show from the wings). When the solo ended and McCready hugged Gleason, there wasn't a dry eye in the audience.
, he was slated to appear on the Flambeau/WWL Stage situated next to the Ritual Stage at the same time as Pearl Jam. While, the Ritual stage was overflowing with revelers, the Flambeau Stage was home to a much smaller audience. Nonetheless, Andrews, ever the trouper, still delivered a stunning set for the faithful.
Andrews is a riveting performer. Even though Pearl Jam was on at the same time, his five piece band's performance caused many a Voodoo fan to migrate toward the Flambeau stage for his infectious gumbo of gospel, jazz, pop, funk and rock.