On the Verge by John Kelman
The Unity by C. Andrew HovanMore articles about Adonis Rose
On the Verge
It would make for an interesting comparison to stack Payton's Verve sides alongside The Unity and Rose's debut, A Song For Donise, as while the trumpeter's sphere of influences takes in everything from New Orleans gumbo to funk and beyond, The Unity, in particular, has a marked Miles Davis influence circa 1966. This point is further enforced by the inclusion of Wayne Shorter's "Dolores" and Rose's "Prince of the Night," whose title and melody sound vaguely Milesian in nature.
Group interplay is particularly strong throughout, with Payton's searing intensity and tenor saxophonist Tim Warfield's crying tone a match as perfect as, well, Davis and Shorter. Rose proves to be a confident leader and while there are some amazing pyrotechnics from the drummer, he's clearly more interested in the overall musicality of each performance than in displays of his solo artistry.
Warfield's influence is detected in what is arguably the highlight of the entire set, a majestic and uncharacteristic reading of "I Remember You." Taken at a slow ballad tempo and backed simply by Rose's shimmering cymbals, Warfield delivers that lush and breathy attack of his that has become a signature and the shivers literally course through the body. Such depth of feeling separates the men from the boys. A truly profound performance by any standard.
Often times we can't see the forest for the trees. As sad as the passing of so many jazz greats over the past few months has been, let us not forget that there are gentlemen like Rose, Payton, and Warfield who have the talent to become our next generation of jazz heroes if we just provide them the support they so richly deserve. Enough said.
Track Listing: Prince of the Night, Dolores, The Unity, Tonk, Anna Maria, I Remember You, Smooth Jazz (58:15)
Personnel: Adonis Rose- drums, Nicholas Payton- trumpet, Tim Warfield- tenor sax, Anthony Wonsey- piano, Reuben Rogers- bass
Record Label: Criss Cross
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