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Portland, Oregon-based jazzman Steve Hall's main axeafter studies in guitar and trumpetis the Hammond organ. His quintet augments the standard organ trio (guitar/ organ/drums) with a trumpet/saxophone front line. The B-3 organ usually says "blues," but on this debut by Hall's quintet, the music falls more into the hard bop category, with seven Hall originals and five familiar jazz standards.
Of the familiar tunes, none would be associated with the organ trio concept, but the quintet gives them fresh treatments: Thelonious Monk's "Monk's Dream," with Hall's organ rounding off some of the characteristic percussive bump of the tune and sweetening the mix, with a tangy soprano sax soloa la Steve Lacythrown in to sweeten it a bit more; and Jimmy Van Heusen's "Darn That Dream," Horace Silver's "Silver's Seranade," and Wayne Shorter's "Witch Hint."
Coltrane's classic "Moment's Notice," from the masterful Blue Train, sounds full of joy as it glides forward on a smooth, organ-chilled momentum.
Hall also writes a fine tune. The opener, "On a Scale of One to Five," lifts the spiritsminor key or nowith a fine and lively trumpet solo by Richard Watson, and "Blue Sky Black Coffee" struts along with a spring in its step, showing off Hall's skills with an engaging melody and catchy groove.
The group does get a little down and dirty with one blues offering, "Cap'n Jack's Blues," for Jack McDuff, on a set full of engaging straight-ahead organ and horn jazz.
Track Listing: On a Scale of One to Five; Blue Sky black Coffee; Monk's Dream; Rasta Turtle; Moment's
Notice; Thursday Strut; Darn that Dream; Cap'n Jack's Blues; What You Say to that; Silver's
Seranade; Steamy Night Shuffle; Witch Hunt.
Personnel: Steve Hall: organ; Cal Hudson: tenor and soprano saxophones; Richard Watson: trumpet
and flugelhorn; Pete Schwimmer: guitar; Kenny Morse: drums.
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.