Sean Nowell: The Seeker (2009)

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Sean Nowell: The Seeker
It would be foolish to describe saxophonist Sean Nowell as a 21st century schizoid tenor man, but two distinct strands characterize the New York-based player's work. On the one hand, Nowell is active in funk and post-fusion styles, with the Kung-Fu Masters and his own MonAtomic groups, among other line-ups. On the other hand, he's a precociously talented straight ahead player, with a gritty and exuberant approach displaying traces of such illustrious forebears as Dexter Gordon
Dexter Gordon
Dexter Gordon
1923 - 1990
sax, tenor
, John Coltrane
John Coltrane
John Coltrane
1926 - 1967
saxophone
and Michael Brecker
Michael Brecker
Michael Brecker
1949 - 2007
sax, tenor
.



The two strands overlap, of course, as do the personnel of the bands. But so far, under his own name, Nowell's studio focus has been on straight ahead performance, first with Firewerks (Posi-Tone Records, 2007), and now with The Seeker, on which he moves between the fierce and forceful and the lush and voluptuous to devastating effect.



On Firewerks, Nowell led a two-saxophones and rhythm section quintet. On The Seeker he fronts a quartet, with pianist Art Hirahara

Art Hirahara
Art Hirahara
b.1971
piano
and drummer Joe Abbatantuono
Joe Abbatantuono
b.1976
drums
held over from the earlier album and joined by new bassist Thomas Kneeland. There are cameo roles for two guests, cellist Dave Eggar and guitarist Nir Felder, whose brief appearances, Eggar's especially, are quite wonderful.



As the opening track title suggests, The Seeker's predominant vibe is a modern day re-energization of the East Coast hard bop of the 1950s and 1960s. Nowell stays mainly on the "inside," Hiraha veers closer to Andrew Hill

Andrew Hill
Andrew Hill
1937 - 2007
piano
or Cecil Taylor
Cecil Taylor
Cecil Taylor
b.1929
piano
than he does to Sonny Clark
Sonny Clark
Sonny Clark
1931 - 1963
piano
or Wynton Kelly
Wynton Kelly
Wynton Kelly
1931 - 1971
piano
, and Abbatantuono and Kneeland attack with a hard bop vigor dusted with successive decades' rhythmic dalliances, including funk, jazz-rock and fusion. The result is a chilli-hot stew of galvanizing intensity.



Nowell, the chief soloist, also turns his hand, with sumptuous effect, to a couple of ballad covers, Lennon and McCartney's "I Will" and the particularly gorgeous, Don Raye and Gene De Paul composed "You Don't What Love Is." Eggar's cello, in lovely counterpoint with Nowell, states the themes of the traditional klezmer tune "Oy Matze Matze," Nowell's astringent "Jamie's Decision" and "I Will." It's on these tracks that the muscular balladeering of Dexter Gordon comes to mind.



The album closes with a galloping reading of Victor Schertzinger and Johnny Mercer's "I Remember You." Written in 1941, its pace and attack here are totally 2009 and Nowell and Hirahara's solos range further "out" than they do elsewhere. A reminder, if one were needed, that style categorization remains an inexact science.

Track Listing: New York Vibe; You Don't Know What Love Is; Oy Matze Matze; Dunavski Park; Jamie's Decision; For All Intensive Purposes; I Will; I Remember You.

Personnel: Sean Nowell: tenor saxophone, clarinet, flute; Art Hirahara: piano; Thomas Kneeland: bass; Joe Abbatantuono: drums; Dave Eggar: cello; Nir Felder: guitar.

Record Label: Posi-Tone Records

Style: Modern Jazz


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