's touring rhythm section of the 1980s. Years of shared experience elevates Barron, Reid, and Lewis' congenial interplay beyond mere professionalism, lending this date a timeless appeal.
Seven of the ten selections are originals, demonstrating Irabagon's flair for composing accessible jazz tunes that fit comfortably in the mainstream tradition. A dynamic soloist, Irabagon plays alto for most of the date, his tortuous cadences recalling Charlie Parker
's "Cup Bearers" is a brisk bop number, while the sultry title track is a lilting mid-tempo swinger featuring Irabagon's effusive tenor. Infused with simmering post-bop energy, "Joy's Secret" reveals a subtle complexity, underpinned by Lewis' Latin accents and Barron's prismatic flourishes, spotlighting a mellifluous trumpet solo from guest artist Nicholas Payton
, who also contributes pithy salvos to the scorching hard bop burner "Big Jim's Twins."
Alternating vibrant up-tempo tunes with more introspective fare, Irabagon unveils a rarely heard sensitive side. His velvety tone is highlighted on Gigi Gryce's melancholy "Infant Song," while his lyrical phrasing dominates "Acceptance," the breezy bossa nova "Makai and Tacoma" and the earthy "Closing Arguments." His intimate duet with guest pianist Bertha Hope
's somber ballad "Barfly" reveals depths of emotional maturity.
A solid and eminently likeable mainstream affair, The Observer scarcely hints at Irabagon's avant-garde credentials, focusing instead on his tastefully virtuosic capabilities as a straight-ahead stylistyet another facet of his wide-ranging artistry.
Track Listing: January Dream; Joy's Secret; The Infant's Song; Cup Bearers; The Observer; Acceptance; Makai and Tacoma; Big Jim's Twins; Barfly; Closing Arguments.
Personnel: Jon Irabagon: alto saxophone, tenor saxophone (5, 7); Kenny Barron: piano (1-8, 10); Rufus Reid: bass; Victor Lewis: drums; Nicholas Payton: trumpet (2, 8); Bertha Hope: piano (9).