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Erica Seguine/Shon Baker Orchestra: The New Day Bends Light
BySo does "interesting" translate to "pleasing"? That is another matter entirely, one that each listener must decide for himself or herself. Clearly, this is not (with one notable exception) music for those who like to dance or even tap their feet. The anomaly is the opening number, Seguine's picturesque "Reel," a lively Irish dance that would be right at home in that most Celtic of stage productions, Riverdance. From there, the mood and tempo turn decidedly bleaker, starting with Baker's ruminative "States," written at a time when "much was happening," the author discloses, and not all of it good. It is interesting to learn from the notes that Baker "does not recall composing most of it."
Seguine's "Tangoing with Delusion," more rhythmically robust but not much lighter in tone, leads to Baker's ominous "In Dreams," which meanders slumberously onward for more than eleven minutes with no clear destination on the radar. Tenor saxophonist Quinsin Nachoff tries to add color to the proceedings but the result is more chaotic than perceptive. "Ove Shalom," introduced by bassist Evan Gregor, has a feathery vocal by Tammy Scheffer (as do "States," ... "and the Tire Swing Keeps Spinning... " and the closing title song). The aura is again solemn but not nearly so much as elsewhere.
Seguine wrote "The Tire Swing" as a metaphor for "a major depressive episode," dating back to elementary school. The ensemble is more fully involved here, lending its power to the midsection before the piece reverts to the image of a tire "gaining momentum, endlessly spinning into a journey from innocence, down an increasingly darker abyss." Heavy sentiments indeed. The ensemble returns to oversee the distressing voyage, bolstered by forceful drumming from Paolo Cantarella. Baker's "New Day" opens on a similarly somber note before gaining some momentum that one can only hope signifies brighter days ahead. Once again, however, the piece ends on a barren and nebulous note.
Scott Reeves offers a splendid alto flugelhorn solo on "New Day," and there are others by guitarist Eric Burns and violinist Meg Okura ("Reel"), pianist Carmen Staaf ("States"), alto Ben Kono and trumpeter John Lake ("Delusions"), trombonist Nick Grinder ("In Dreams"), Okura, Gregor and trombonist Kalia Vandever ("Shalom"), Staaf and flugel Nathan Eklund ("Tire Swing"). Even so, it is hard to envision where an audience for The New Day may lie.
Track Listing
Reel; States; Tangoing with Delusion; In Dreams; Ose Shalom; …and the Tire Swing Keeps Spinning…; The New Day Bends Light.
Personnel
Erica Seguine
composer / conductorShon Baker
saxophone, altoNathan Eklund
trumpetJohn Lake
trumpetJonathan Saraga
trumpetAdam Horowitz
trumpetBen Kono
saxophoneRemy Le Boeuf
saxophone, altoPeter Hess
saxophone, tenorQuinsin Nachoff
saxophoneJohn Lowery
saxophone, tenorAndrew Hadro
woodwindsScott Reeves
tromboneNick Grinder
tromboneKalia Vandever
tromboneRebecca Patterson
trombone, bassMeg Okura
violinEric Burns
guitarCarmen Staaf
pianoEvan Gregor
bass, acousticAdditional Instrumentation
Shon Baker: composer, soprano sax; Nathan Eklund, John Lake, Jonathan Saraga, Adam Horowitz: flugelhorn; Ben Kono: flute, clarinet; Remy Le Boeuf: flute, alto flute, piccolo, clarinet; Peter Hess, Quinsin Nachoff, John Lowery: tenor sax, flute, clarinet; Andrew Hadro: baritone sax, bass clarinet, flute; Becca Patterson: tuba; Paolo Cantarella: drums; Tammy Scheffer: voice.
Album information
Title: The New Day Bends Light | Year Released: 2023 | Record Label: Self Produced
Comments
About Erica Seguine
Instrument: Composer / conductor
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