Published since 1998
Contrary to occasionally voiced queries, Derek is not the Beatles' former publicist.
The general feel of the seven improvisations is one of cohesive whole, each track absorbing into the next with little overt fanfare to signal transitions. Kelley finds space for his usual flood of breath sounds and mouthpiece smears on “Sense of Trust,” blowing both muted and open over a spidery pizzicato reticulation from Voigt. Cook’s sticks are almost completely coloristic, tapping out an odd cymbal pattern on occasion, but largely remaining freely associative. Collectively conceived and deployed this is spontaneous music with a definite ear tuned toward deep and collaborative listening. Spaces of knotty and often scurrilous collective improvisation switch places with stretches of diffusive and at times digressive solo, duo and trio contemplation. Strict time and tempo are accorded only relational importance and any attempt to lock down transcribable structure is summarily thwarted. On “Space In Which We Live,” Voigt routinely reestablishes a central rhythmic pulse, which the horns cavort around in stream of consciousness salvos. Kelley’s litany of smears, smudges, whinnies and chortles in the piece’s opening minutes suggest a timbral command and capacity on his instrument that is positively overwhelming. Flaherty’s Eastern-tinged multiphonics affect a similarly arresting response toward the tracks close. Voigt christens “Dragon In the Sand” fingering a skein of frayed lines that dissolve in a tide of pitched horns and percussion. Moments of genuine lyric symmetry surface occasionaly as on Flaherty’s fervid tenor exclamation at the center of “Centered with Gratitude.”
Far from a Gordian knot this music is perplexing and abrasive only if the listener is reticent to attend to it on its rules. Those willing to cast away precalculated expectations and embrace these sounds unreservedly will discover their leap of faith well rewarded. While these four improvisors deal in common currency of free jazz (familiar instrumentation, energy-laden solo and group improvisation) they also offer compelling proof of the art form’s primacy at fostering galvanic regional variation.
Track Listing: Glimmer of Hope/ Sense of Trust/ Space In Which We Live/ Dragon In the Sand/ Centered In Gratitude/ With Compassion/ Life Still Cherished.
Personnel: Paul Flaherty- alto & tenor saxophones; Greg Kelley- trumpet; John Voigt- bass; Laurence Cook- drums. Recorded: November 17, 1999, Westwood, MA.
Record Label: Boxholder Records
Style: Modern Jazz
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