Published since 2004
With the realization that there will always be more music coming at him than he can keep up with, John wonders why anyone would think that jazz is dead or dying.
Fearless in its scope from abstruse lyricism to complete abstraction, Cline's compositions are sometimes odd amalgams. "Blues Too" is harmless enoughoutside, yes, and dark toobut with its clean approach and clever head, Cline mischievously draws us in. "Fly Fly" is next, with an elliptical theme that develops into a barely controlled free-for-all. "He Still Carries A Torch For Her" begins with an alt-rock theme that morphs into a delicate passage where bassist Devin Hoff's arco is surprisingly sweet. But it's a brief respite before drummer Scott Amendola introduces chaotic electronic chatter over a Bo Diddley bass drum beat. Cline begins a solo where he doesn't so much coax sound out of his instrument as tear it out, gradually building to a fever pitch.
Even when the group settles down into a semblance of tranquility, there is an air of danger. "The Ballad of Devin Hoff" gives Hoff an opportunity to step up and solo over guitar chords that might be considered tender if they weren't so inherently menacing. Still, it's a much-needed respite from the intensity, but by the time the piece is half over Cline has shifted into an Eastern-inflected theme that is filled with dissonance.
"The Friar" acts as an abstract electronic introduction to the extended "Something About David H.," where Cline solos over a dark and brooding backdrop of tuned percussion; this is as close to peaceful as things gets before becoming almost anthemic over a weightier rhythm section, with Cline's solo developing into a shredding climax.
Cline's influences are broad but completely integrated. One might pick out snippets of his roots, but no more; over a twenty-five year career he has developed a personal vernacular that is as much about texture as it is about thematic development. He has frightening technique but it is subsumed into a playing concept that is all about ambiencepunishing to peaceful, relentless to spacious. The Giant Pin may be a challenging ride, but it is well worth the trip; it may not be jazz by strict definition, but in its fearless exploration of controlled anarchy it is clearly in a league of its own.
Visit Nels Cline on the web.
Track Listing: Blues, Too; Fly Fly; He Still Carries a Torch For Her; The Ballad of Devin Hoff; The Friar; Something About David H.; Bright Moon; A Boy Needs a Door; Square King; Spell; Watch Over Us
Personnel: Nels Cline (electric guitar, effects), Devin Hoff (contrabass), Scott Amendola (drums, percussion, live electronics, treatments, electric mbira)
With guests: Jon Brion (chamberlin, tiny sampling keyboard on "Something About David H.," celeste, harmonium on "Watch Over Us"), Greg Saunier (voice on "He Still Carries a Torch For Her")
Record Label: Cryptogramophone
Style: Modern Jazz
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