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George Braith: The Complete Blue Note Sessions
ByBraith’s two-horn work is showcased mainly on the first album. It’s a quasi-primitive affair that opens with the Rollins-esque calypso "Mary Ann" and goes on to include a lovely "Poinciana" and a swinging (yes, swinging) "Mary Had a Little Lamb." Perhaps this last is Braith’s answer to Trane’s "Inchworm," recorded the previous year. The album ends with "Braith-A-Way," thirteen-plus minutes of brooding, non-resolving harmony with solos over a repeated rhythmic motif. Soul Stream kicks off with an unusual version of "The Man I Love." The title track, a haunting rubato tribute to the late JFK, is Braith at his most inspired. Wisely, this track was picked to end disc one; to segue straight into the lively "Boop Bop Bing Bash" would have been jarring. Braith also puts his oddball spin on the William Tell Overture, titling it "Billy Told" and transforming it into a modified rhythm changes with a minor-key bridge. Extension begins with the fast waltz "Nut City." It also includes the ballad "Ethlyn’s Love," the angular "Out Here," the minor blowing vehicle "Extension," and the soulfully swinging "Sweetville." Braith ends the album with an up-tempo version of Cole Porter’s "Ev’ry Time We Say Goodbye," opting to give the tender melody the two-horn treatment.
Perhaps it was inevitable that George Braith would be overshadowed by Roland Kirk, but his compositional gifts and strong playing deserve greater appreciation. In addition, these are also essential Grant Green dates, doubly so considering the presence of the organ.
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George Braith
saxophoneAlbum information
Title: The Complete Blue Note Sessions | Year Released: 2001 | Record Label: Blue Note Records
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About George Braith
Instrument: Saxophone
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The Complete Blue Note Sessions