began with Storytelling (Audial, 2005). Like that release, The Clouds Above brags all originals save for one classical adaptation, in this case Sergei Prokofiev's Balcony Scene from his 1935 ballet, Romeo and Juliet, here captured lyrically by Moller's most restrained pianism. Oatts plays alto on the piece, weaving in and out of the scaffolding erected by Moller. The effect is one of nervous excitement, sharply presented.
Oatts moves to soprano for "Reflections," his serpentine lines melding with Moller's rhythmic attack. On "Wide Open Spaces," the pair dons an almost pastoral tone that is both reflective and aloof. Moller solos angularly and with a quiet intensity, while Oatts' cold silk tone slides over the piano like dry snow, blown by Moller's gently propulsive wind. This is intimate, interior music, creative thought manifest.