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Following the successful realization of the powerful, free jazz collective headed by Dom Minasi on The Bird, The Girl And The Donkey (Re:konstruKt, 2010), the guitarist decided to expand his collective from a quintet to a septet. He kept the same attitude: intense, muscular and fiery playing from the first second till the last, but with varied dynamics and more power.
The title of the second volume, The Bird, the Girl and the Donkey IIa live recording of one 55-minutes piecestill relates to a tale about a girl who is carrying a heavy load of notes and the bird and the donkey that are called to offer their help. The addition of trumpeter Matt Lavelle
. All retain the fiery sense of continuity, offering shifts into raw and restless interplay and sonic searches of varied duets and trios before the septet unites again, gaining more volume and power until the next and final volcanic eruption.
The authoritative and inventive Lavelle introduces the main segments of this extended piece, and marks its climaxes. His ferocious, physical playing contrasts the playfulness of the sax choir, and the solos of all four saxophonists. Minasi's metallic lines, Balgochian's dense arco, and Rosen's rolling drums push and fortify the sonic envelope with an uncompromising, driving pulse. This sextet's powerhouse collective playing recalls the raw power of Peter Brötzmann