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Red Garland: The 1956 Trio (2010)

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Red Garland: The 1956 Trio How we rate: our writers tend to review music they like within their preferred genres.

By the time pianist Red Garland recorded the amalgam of tracks on this essential disc, he'd been playing with the Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
Quintet for about a year. Although he had performed alongside big names before, including Charlie Parker
Charlie Parker
Charlie Parker
1920 - 1955
sax, alto
and Lester Young
Lester Young
Lester Young
1909 - 1959
saxophone
), The Quintet (as it would come to be known) was truly an all-star lineup: Garland, plus John Coltrane
John Coltrane
John Coltrane
1926 - 1967
saxophone
, Philly Joe Jones
Philly Joe Jones
Philly Joe Jones
1923 - 1985
drums
and Paul Chambers
Paul Chambers
Paul Chambers
1935 - 1969
bass, acoustic
. Garland—with a modest profile in 1955 that would more or less remain that way—reached a career peak around this time; maybe because of the musical company he kept, or, perhaps, because he would have regardless.

The first twelve tracks on The 1956 Trio are taken from A Garland of Red (Prestige, 1956) in its entirety, with the rest cherry-picked from a mix of 1956 and '57 sessions on Groovy (Prestige, 1957) and Red Garland's Piano (Prestige, 1957). Garland is joined by Quintet-mate Chambers, as well as drummer Art Taylor
Art Taylor
Art Taylor
1929 - 1995
drums
. This was a peak period for Taylor, too; he would record extensively with Garland and Coltrane over the next three years—retreating, soon after, into life as a European-based touring musician. On the final of this baker's dozen tracks, Taylor is replaced by Philly Joe Jones.

The trio is in full swing from the get-go, springing into "A Foggy Day," which proceeds like a sprightly walk down a decidedly un-foggy street. After the head, Garland solos almost immediately—impressive, without being ostentatious. Chambers follows with something sly and soulful, before Garland steps in again. Taylor is skipped (a theme throughout), but compensates with swift brushwork—his timekeeping almost mechanical in its precision.

"My Romance" slows things down, the individual vibrations of the notes comprising Garland's familiar block chord style made crystal clear. Taylor is on brushes again, and Chambers bows the last few notes for a beautiful close. He picks up the bow again for his solo on "What Is This Thing Called Love?," playfully quoting "I Can't Believe That You're in Love with Me." Lest someone accuse the trio of sentimentality, there's the bluesy, laidback "Makin' Whoopee," a nice counterpart to the soporific "Little Girl Blue" that comes later. More blues come in the form of "Blue Red," with an intro solo from Chambers that epitomizes cool.

The disc ends with "Ahmad's Blues," originally a trio piece from Miles Davis Quintet's Workin' (Prestige, 1959). It's a fantastic finish, as well as a fitting homage of sorts to Jamal, who had a considerable influence on Garland—though not considerable enough for Davis, who once demanded that he "play like Jamal."

It would be easy to describe The 1956 Trio as a snapshot in time when Garland was at his finest as a leader, flanked by outstanding performers. But "snapshot" would be a misleading word. The vibe here is anything but static. Timeless perhaps. But never, ever static.

Track Listing: A Foggy Day; My Romance; What is This Thing Called Love?; Makin' Whoopee; September in the Rain; Little Girl Blue; Blue Red; Constellation; Willow, Weep for Me; If I Were a Bell; I Know Why; What Can I Say?; Ahmad's Blues.

Personnel: Red Garland: piano; Paul Chambers: bass: Philly Joe Jones: drums (13); Art Taylor: drums (1-12).

Record Label: Essential Jazz Classics


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