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Jean Toussaint: Tate Song
ByFive Toussaint originals, two more from pianist Andrew McCormack, and attractive arrangements of "These Foolish Things" and Milton Nascimento's "Vera Cruz" make for a contemporary set that nevertheless draws from the saxophonist's abiding influencesjazz's great modernists of earlier generations. Toussaint's keen melodic sensibility is matched by the rhythmic elasticity of one of the UK's best rhythm sections in McCormack, drummer Troy Miller and bassist Larry Bartley and the resulting chemistry produces a sumptuous feast of straight ahead jazz rooted in the hard bop/bebop traditions yet one that sounds utterly fresh.
Toussaint's compositions harbor strong melodic motifs, which serve as launching pads for improvisation and navigational signposts, for even in the thick of solo free-flight the defining melodies are bared aloft like torches illuminating the path. Within that framework the quartet freely juggles the rhythms, particularly on the surging hard-bop of "Mood Mode" and the powerfully emotive "Mulgrew"Toussaint's slow-burning, sometimes volatile tribute to the late pianist Mulgrew Miller, former co-collaborator in drummer Art Blakey's The Jazz Messengers. Bartley anchors the quartet while Miller flits between in-the-pocket groves and bolder extemporizations of notable breadth.
The title of the gently swinging ballad "My Dear Ruby" alludes to pianist Thelonious Monk's "Ruby My Dear," but in fact there's more of Monk's shadow over the main motif of the propulsive, solos-driven "Rice (For CR Peppers)." The ballad "Tate Song" reveals the imprint of two other important influences on Toussaint; there's the hand of saxophonist Wayne Shorter in Toussaint's languid melodies and that of saxophonist John Coltrane in the tune's elegiac ending. This gorgeous composition sounds like the love-child of Shorter's "Infant Eyes" and Coltrane's "Naima."
Coltrane also colors McCormack's mid-tempo blues "Tunnel Vision," where fast-walking bass and Miller's ride cymbal, fast-tumbling rolls and snappy fills underpin the pianist's scurrying right-hand improvisations. In a classic conclusion Miller sallies forth, his exuberance punctuated by Toussaint's brief melodic bursts, with everybody closing ranks on the head. After such fire, Toussaint's purring lyricism and Miller's brushes act like a balm on the ballad "These Foolish Things," with McCormack's keys sparkling. Toussaint's seductive arrangement of Nascimento's "Vera Cruz" provides an album highlight; its flowing narratives contrast with the quiet intensity in McCormack's smoldering epic "Vista," with Toussaint's mazy soprano run setting the sizzling seal.
In fifty years, when much of today's popular music has been forgotten by history or confined to nostalgia, Tate Song will likely have lost none of its power. It's a classy testament to the enduring appeal and romance of jazz, and to Toussaint as one of its modern standard bearers.
Track Listing
Mood Mode; Mulgrew; My Dear Ruby; Rice (for CR Peppers); Tate Song; Tunnel Vision; These Foolish Things; Vera Cruz; Vista.
Personnel
Jean Toussaint
saxophoneJean Toussaint; tenor and soprano saxophones; Andrew McCormack: piano; Larry Bartley; bass; Troy Miller: drums.
Album information
Title: Tate Song | Year Released: 2014 | Record Label: Lyte Records
Comments
About Jean Toussaint
Instrument: Saxophone
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