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Take Five With Justin Kauflin

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Meet Justin Kauflin:

At the piano, Justin Kauflin has an improvisational zeal matched by a technique that is equal parts lyrical and emotional. His sound can be best described as dynamic and vibrant, with a genuine sense of feeling and appreciation for the soulful essence in jazz music. Although classically trained, Justin prefers the improvisational opportunity jazz provides, which is readily apparent in his mastery of the piano. His musical style reflects a steadfast, day-to- day trust in God, drawing influence from all forms of music. With this inspiration, he hopes to bring a true and pure musical experience to all who hear him play.

Justin graduated summa cum laude from William Paterson University, NJ in May 2008 (Bachelor of Music/Jazz).

Plinking tunes on the piano since age 2 led to 9 years of classical violin and piano, his first gig at age 7 (violin) and performing professionally on piano at age 15. Jazz was introduced at the Governor's School for the Performing Arts and Old Dominion University during his high school years.

As a high school sophomore he performed in Miyazaki, Japan and the Vail Jazz Workshop in Colorado, and was selected as 'outstanding soloist,' 'outstanding rhythm section' and 'best ensemble' at Jazz Festivals in Chantilly, VA and N. Texas.

Since then, he has performed:

- With Clark Terry
Clark Terry
Clark Terry
b.1920
trumpet
at the Blue Note and Village Vanguard, NY

- With his trio in Dizzy's Club Coca Cola, NY and Kennedy Center, DC

- In Betty Carter's Jazz Ahead, Kennedy Center, Washington, DC

- With WPU's Jazz Ensemble in the JVC Jazz Festival, NY

- With Randy Brecker
Randy Brecker
Randy Brecker
b.1945
trumpet
at The Sandler Center, VA

- With the Lango Brothers in NJ, NY, and Boston.

- With Jae Sinnett at Blues Alley, DC and venues all over Virginia

In 2008, Justin performed with his own Trio, predominantly around the Hampton Roads, Virginia area. He recently relocated to Manhattan, New York and recently recorded his debut CD at Bennett Studios.

He is forever grateful to Clark Terry, Harold Mabern
Harold Mabern
Harold Mabern
b.1936
piano
, Mulgrew Miller
Mulgrew Miller
Mulgrew Miller
1955 - 2013
piano
, Steve Wilson
Steve Wilson
Steve Wilson
b.1961
sax, alto
, John Toomey, Jae Sinnett, Gary Kirkpatrick, Terrell Stafford, Ornette Coleman
Ornette Coleman
Ornette Coleman
b.1930
sax, alto
, Suzanne Schreck, Ginny Koun, Elizabeth Barnes
Elizabeth Barnes

vocalist
, Rich DeRosa, and Bill Mobley for their incredible instruction and wisdom...and to Wynton Marsalis
Wynton Marsalis
Wynton Marsalis
b.1961
trumpet
who generously "gave me the most humbling, most exhilarating lesson ever."

PERSONAL BACKGROUND Born 1986 in Silver Spring, MD, Justin has three brothers and a sister. Despite losing his vision to 'proliferative exudative retinopathy' over a decade ago, he remains focused on his abilities, excelling academically while constantly honing his art in jazz piano. Following his graduation from William Paterson University, he moved to Brooklyn, NY. Difficulty with orientation and mobility led him to train with a lovable black lab named 'Candy' at The Seeing Eye in Morristown, NJ. She is his constant companion and guide throughout the streets and subways of New York City.

Aside from music, Justin's passions include his faith, reading, Chick-fil-A chicken sandwiches, languages, physics and P90X.

"Solo Deo Gloria"

Instrument(s):

Piano.

Your sound and approach to music:

It's hard to really define something that is always in progress. My sound, like anyone else's, really reflects where I am in my life and my growth as a person. It will never stop evolving. If I were to put any words to how I feel about my sound and my approach, I'd have to say that I strive to provide as much support to those around me musically. My sound is very much defined by my surroundings. The most important thing to me is simply making some kind of connection with those listening. I hope to leave folks with a memorable experience. As long as people are feeling good when they hear my music, I'm happy.

Your teaching approach:

When introducing jazz to anyone, it is important to cover the essentials—a basic understanding of swing. Swing, in my opinion, is the defining factor of what is real jazz. I believe that a person should have a good grasp of their instrument. Once a comfort level with the instrument is established, it's time to dive in and enjoy exploring the world of jazz. I say 'enjoy,' and really think that is absolutely necessary. In order to really get something out of anything, one must really enjoy the thing he or she is doing!

Your dream band:

My dream band would include the people that I connect with personally as well as musically. I couldn't really come up with a "dream band," mainly because I don't know if I'd connect with people I've never played with before.

Favorite venue:

I've never played here, but it is my absolute favorite place to go. I love the Jazz Standard. I would love the opportunity to play there someday, for sure. The staff treats everyone great and the venue is just fantastic.

The first Jazz album I bought was:

Keith Jarrett
Keith Jarrett
Keith Jarrett
b.1945
piano
's "Whisper Not." Man, what an album.

What do you think is the most important thing you are contributing musically?

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