A native of South Louisiana, Joyce Spencer began playing the clarinet in 5th grade, but switched to tenor saxophone in the 12th. During this time, her musical influence included blues, jazz, zydeco, gospel, classical and R&B. She later included the alto sax and flute at McNeese State University where she received a bachelor's degree in instrumental music education. After a 20-year hiatus, Joyce began playing again in churches and many other venues. After several attempts to collaborate with others, she composed and self- produced her own CD, Sweet Dreams. The CD is a collection of instrumental (alto/soprano sax and flute) and vocal music created to calm, sooth, and bring healing to the deep recesses of your soul. Her music has been labeled Christian, Inspirational Jazz, Smooth Jazz, and Smooth/Contemporary Gospel, but she plays all styles, including straight-ahead and mainstream jazz.
Saxophone (soprano, alto and tenor), flute, vocal.
I'm always listening and improving my sound to mimic a soulful human voice. I want the listener to "hear me sing" through the sax. It's like medicine to the soul. I love "lush sounds" which is why I love the Camille Saint- Seans, classical composer. David Sanborn is an excellent example in the modern jazz era. However, I also love the edgy, growling sounds, too, where I'm "singing" on my sax it like Aretha Franklin
and David Sanborn. I do believe a dream band is not just having great musicians, but having great people.
Road story: Your best or worst experience:
My worse experience is when I discovered my CD, Sweet Dreams was filled with recording errors (long story) after completion; however, my best experience is when I dismissed the producer and started all over again and self-produced the entire project, including writing and composing. (I did hire an audio engineer.)
Tuckers' Blues, Dallas, TX, Church of His Glory, Rockwall, TX, Catfish Blues, Dallas, TX.
Your favorite recording in your discography and why?
The title track to Sweet Dreams. I love the soft and smooth melody and texture of this track. In this composition, I strayed away from the complicated and/or usual chord progressions to create something new, but yet familiar.