Where Are We Now? by John Kelman
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Where Are We Now?
Somehow I think that the public is a little too interested in technique, the next young star, and who wins which competition etc.; it would be nice to have more people going out and listening to the music, this way we'd also have more venues.
What are some of the essential requirements to keep jazz alive and growing? More venues, more people coming out to listen, that's what keeps the jazz economy growing. We also need more cross border cooperation concerning gigs and festivals in other countries.
If I weren't a jazz musician, I would be a: Archeologist.
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