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Eight Driver by Michael AskounesMore articles about Georg Cocron
Inspired by jazz and rock legends such as Al Di Meola, Jimmy Page, Jeff Beck, and classical composers J.S. Bach, and George Frederic Handel, Cocron has branched out with avant-garde, electro-acoustic explorations.
The compositions on Acoustic Guitar Odyssey are intellectual escapades, featuring passionate improvised guitar melodies and daring classical interpretations.
Other than being an indie musician, difficulty characterizing Cocron's approach, and genre speaks volumes about his commitment to stylistic integrity, and harmonic sophistication.
Teachers and/or influences? Ken Karsh, Pepe Romero, Glen Monserat
I knew I wanted to be a musician when... Everyone in the neighborhood would come to see my band rehearse. I totally enjoyed that kind of attention. I knew it wouldn't last forever, but it was a sign that I had something going for myself.
Your sound and approach to music: I think that rock music should be played loud, very loud. When the cops come to your door, you know you're playing it the right way. However, through the years I've mellowed. I think that musicians should be disciplined that is: show up to the gig on time, play in tune, try to get along with the other musicians, and be courteous and respectful to the audience. Otherwise, I just try to have fun playing.
Your teaching approach: As far as teaching goes, it seems people are curious about certain guitar licks that I play. Other times I get asked about my equipment, that is, what kind of guitar do I play, etc.
Generally, I really enjoy teaching. As a teacher I learn as much as the students do. I tend to teach basic things, like introductory music theory, technique, and performance theory.
I try not to tell people what to play. That's where teachers make mistakes. I try to help anyone to tap into their creative potential, just as my teachers helped me.
Your dream band:
Hmmm good question. If I built a dream band I'm not sure that it would go over well. It might be too perfect, or it might not work whatsoever. But here goes: I would like to jam with John McLaughlin
I have some music that I haven't released yet that I think is even better.
The first Jazz album I bought was: Larry Carlton, Room 335.
What do you think is the most important thing you are contributing musically? Excellent question! I think that my music helps me and others to relax. It may sound silly, but that's what music should do, in my opinion. Also the better my compositions, and my performances become, the more enlightening and perhaps even educational my music can be.
Did you know...
Someone from my family was canonized as a saint. I went to Rome and participated in a ceremony, along with Pope John Paul II, in front a giant crowd of people at the Vatican.
CDs you are listening to now: Al Di Meola, Live at Montreux DVD (Eagle Eye Media);
A lot independently released music, I often derive inspiration from talented musicians, especially guitarists.
Desert Island picks: Anthology of Jazz.
How would you describe the state of jazz today? Well jazz, in my opinion, is not as easy to define as it once was. This is due to the infusion of rock with jazz. I think of jazz as sophisticated popular music, often times instrumental. But I know that this might irritate someone with a more pure definition. Honestly I don't know if the words jazz musician apply to me. But that's OK. I really love jazz, and am inspired by it. If I play rock, or metal, or blues, it doesn't really matter. As a matter of fact, Heavy Metal is described by some as Heavy "Jazz Rock."
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