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About Yuri Honing
Instrument: Saxophone, tenor
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Yuri Honing
From the very start saxophonist Yuri Honing entered the jazz scene in the early nineties, he found new ways to move people with his slightly melancholic sound and crystal clear constructions he uses for his improvisations. He started playing a/o with his famous Yuri Honing Trio - which celebrates its 15 th anniversary in 2005 - but also with highly acclaimed Dutch artists such as pianist Michiel Borstlap, trumpet player Eric Vloeimans and saxophonist Benjamin Herman. The year 1996 is a turning point in Honing's career when he and his trio recorded 'Star Tracks', consisting of jazz arrangements of pop songs
Yuri Honing: North Sea Jazz Legendary Concerts
by Ian Patterson
It's fitting that saxophonist, composer and quiet visionary Yuri Honing should be acknowledged as one of the pivotal voices in the history of the Netherland's world-renowned North Sea Jazz festival, described in 1990 by Jazz Times as the best jazz festival in the world." Honing's first appearance at the NSJF's was in 1995, where he performed ...
Wayne Shorter: Footprints of a Soothsayer
by Ludovico Granvassu
Rarely has a jazz musician created a body of work in which depth, sophistication and melodies coexist as beautifully as Wayne Shorter. In this episode we selected interpretations of his compositions by musicians we admire and who chose to follow his soothsaying footprints. In loving tribute to Mr. Gone. Playlist Ben Allison ...
Size Matters: (Mostly New) Jazz for Big Bands and Orchestras, Part 1
by Ludovico Granvassu
More is not always necessarily better, especially in music. However, the proliferation of remarkable jazz big bands and orchestras of the last decade or so is providing plenty of material to prove that quality and quantity can go hand-in-hand. This week we focus on recent releases by some of the most compelling large ensembles around, the ...
Joost Lijbaart: Free
by Mark Sullivan
When a drummer/percussionist records a solo albumespecially one with the title Freea potential listener's first expectation would likely involve long, abstract drum solos. Nothing could be further from the truth. Dutch musician Joost Lijbaart took the opportunity offered by Covid-19 downtime to craft a suite of short pieces characterized by a rich variety of timbres (including ...
Ian Patterson's Best Releases Of 2020
by Ian Patterson
A year like no other produced a terrific amount of great music, much of inspired by--or in spite ofthe surreal circumstances. Here, in no particular order, are some of my favorite releases of the year. A huge thank you to all the musicians, record labels, studios, agents, promotors and virtual technicians who helped keep us relatively ...
Bluebeard
Label: Challenge Records
Released: 2020
Track listing: Bluebeard Maze; A Room With A View; Narcissus; The Art Of Losing Isn't Hard To Master; She Walked In
Beauty Like The Night; Bits Of Paradise; Sonnet No.6 Bluebeard; Do Not Go Gentle Into That Good Night.
Joost Lijbaart: Free Conversations With Myself
by Ian Patterson
For an artist, making any album is something of a journeythe birthing of ideas, the moulding and sculpting of concepts, the creative trial and error, the emotional highs and lows, and in the end, the satisfaction of a work completed. Dutch drummer/percussionist and composer Joost Lijbaart has travelled that road many times in a thirty-year career, ...
Joost Lijbaart: Free
by Ian Patterson
As a student in the 1980s, Dutch drummer-percussionist Joost Lijbaart first dreamt of making a solo album, inspired by the examples of Tony Oxley, Pierre Favre, Art Blakey, Max Roach and Jack DeJohnette. A successful recording and touring career with Yuri Honingand with his own groupsleft little time for such a focused project. In 2014, Lijbaart ...
Yuri Honing Acoustic Quartet: Bluebeard
by Ian Patterson
Since the late 1980s, Dutch saxophonist Yuri Honing has steered a singularly eclectic course, bouncing between straight-ahead jazz, the two-guitar Wired Paradise, rock-cum-electronica, and Franz Schubert. This questing musician has never sat still for long. The mesmeric True (Challenge Records, 2012), however, marked the beginning of a more stripped down, meditative acoustic jazz, an aesthetic further ...