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About Wilbur Little
Instrument: Bass, acoustic
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Joel Dorn's Nine Lives: Label M and Live at the Left Bank
by C. Michael Bailey
This article was first published at All About Jazz on March 6, 2001. It wasn't but a few years ago that veteran record producer Joel Dorn and a business partner founded 32 Records, a label devoted to re-releasing the old Muse and Landmark catalogs and releasing previously unheard live recordings by major jazz artists. ...
Revival: Live At Pookie’s Pub
By Elvin Jones
Label: Blue Note Records
Released: 2022
Track listing: Keiko's Birthday March; Gingerbread Boy; 13 Avenue B; My Funny Valentine; M.E..; On the Trail; Softly As In A Morning Sunrise; Raunchy Rita; Oleo.
Elvin Jones: Revival: Live at Pookie's Pub
by Angelo Leonardi
Non c'è solo la musica --tumultuosa e avvincente-- a porre in primo piano questo doppio CD (o triplo LP) del quintetto di Elvin Jones, ripreso in un piccolo club di Manhattan dal 28 al 30 luglio 1967. L'edizione fortemente voluta da Zev Feldman (dopo 11 anni di tentativi presso varie etichette) illustra il ...
Elvin Jones: Revival: Live At Pookie’s Pub
by Mike Jurkovic
No matter your format of choicethe deluxe 180g 3-LP set, streaming, or a 2-CD package--there is some serious, late '60s hard bop soul-searching happening on this eye-opening, mind-expanding, previously unreleased Revival: Live at Pookie's Pub. Elvin Jones cleared the cobwebs just two weeks after John Coltrane's passing and the resounding end to the classic ...
Elvin Jones: Revival: Live At Pookie’s Pub
by Chris May
A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Various Artists: Running The Voodoo Down Volume 2
by Chris May
A raft of scholarly theories can be put forward to explain the affinities linking the genres represented on this compilation, subtitled Explorations In Psychrockfunksouljazz 1965-77. But there is a simple explanation: grass and acid, the lingua franca of the era's counterculture. True, there is only circumstantial evidence to suggest that John Coltrane and Joe Zawinul, both ...
Will Calhoun: Celebrating Elvin Jones
by Dan Bilawsky
Properly paying tribute to a figure like the late Elvin Jones is about more than aping a style of drumming and referencing songs; it's about acknowledging a specific life force, how it fueled the music, and how it lives on in those who Jones influenced on the bandstand, in the studio, and through his recorded work. ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, jny: Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would ...