Results for "Toumani Diabate"

Toumani Diabate

Toumani Diabate is acknowledged to be the foremost kora player in the world. The kora is a 21-string harp-lute instrument that has been played in Africa for centuries. It was the signature of the medieval Mandingo Empire, which populated West Africa from the 13th to the 16th centuries. Diabate has brought the kora to pop music, African orchestras, flamenco, jazz, and the blues. But his latest album, “The Mande Variations,” features the instrument solo. Toumani Diabate comes from a long line of kora-playing griots

Ancient To The Future: Fatoumata Diawara At Carnegie Hall

by Dave Kaufman
March 21, 2022

Fatoumata Diawara was a featured performer at the Journey into Afrofuturism Festival, organized by Carnegie Hall on Friday, March 4. It is a (NY) city-wide festival “where music, visual arts, science fiction, and technology intersect to imagine alternate realities and a liberated future viewed through the lens of Black cultures." Chimurenga Renaissance, a Zimbabwean-centered hip-hop collective, ...

Weedie Braimah, Graham Costello, Cyrille-Parker-Rava & More

by Ludovico Granvassu
February 5, 2022

In this set we focus on recent & upcoming albums and catch up on a number of 2021 gems that weren't featured with a special focus on Afro-centric projects.Happy listening!PlaylistBen Allison “Mondo Jazz Theme" 0:00 Young Pilgrims “Rufio" We're Young Pilgrims (Stoney Lane) 0:16 Host talks 5:48 Graham Costello “Impetu" Second Lives ...

The Ripple Effect

Label: Craft Recordings
Released: 2020
Track listing: Bamako; Nashville; Snug Harbor; Elyne Road; Matitu/Buribalal; Manchester; Throw Down Your Heart; Kauonding Sissoko; Katmandu; Dueling Banjos.

Bela Fleck and Toumani Diabate: The Ripple Effect

by Doug Collette
April 4, 2020

The Ripple Effect is the coup de grace of Bela Fleck's ten year-plus excursion into the African roots of his chosen instrument of the banjo, originally titled Throw Down Your Heart (Rounder, 2009). Part of a larger set comprised of both video and audio on DVD/CD, The Complete Africa Sessions (Craft Recordings, 2020), these ten concert ...

Bruford-Borstlap: Sheer Reckless Abandon

by John Kelman
May 19, 2019

One of the great joys of music can be that of distance: coming back to a piece of music, a musician/group or a discography, even, years later to rediscover it anew. While returning to music after a break of months, years...even decades...is not always a revelation, it's likely true that, if the music was appealing the ...

Ballaké Sissoko at Sheung Wan Civic Centre Theatre

by Rob Garratt
May 7, 2019

Ballaké SissokoSheung Wan Civic Centre Theatre Le French May Arts FestivalHong Kong May 5, 2019 The kora must be one of the world's great improvisatory instruments, and Mali's Ballaké Sissoko is surely one of the instrument's most visible proponents. Somewhere between a harp and a double lute, the ...

Destination Africa! Part I: Mali, Morocco & Tunisia

by Ludovico Granvassu
April 24, 2018

In this episode we'll explore jazz by African musicians and by foreign musicians fascinated with the African continent and its music, with a special focus on Mali, Morocco and Tunisia. Happy Listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Daniel Freedman “All Brothers" from Bamako ...

Peo Alfonsi e Derek Gripper: chitarra classica, tra musica colta e popolare

by Mario Calvitti
April 27, 2017

Tra la musica cosiddetta “colta" di origine accademica e quella di matrice popolare probabilmente non è mai esistita una linea di separazione netta come molti (soprattutto in ambito classico) vorrebbero far credere. Troppe sono le influenze reciproche esercitate nel corso dei secoli, anche nonostante le diversità dei vari contesti storico-culturali che si sono avvicendati nel tempo. ...

Mulatu Astatke: Sketches of Ethiopia

by Ian Patterson
October 12, 2014

Vibraphonist/composer Mulatu Astatke is the creator of Ethio-jazz and reputedly the first African musician to study at Berklee. Prior to that he had studied music in Wales and London. Whilst in America in the 1960s and early 1970s Astatke absorbed diverse influences and a dense rhythmic mosaic is a key component of this pulsating recording. Afro-Latin, ...