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11

Article: Live Review

Brilliant Corners 2024

Read "Brilliant Corners 2024" reviewed by Ian Patterson


Brilliant Corners 2024 Black Box/Accidental Theatre jny:Belfast, N. Ireland March 1-9, 2024 At a time when veteran rock acts on their last legs are asking cash-strapped punters to part with hundreds of pounds to stand in a stadium to hear the same hits as the last tour, and the tour ...

25

Article: Album Review

Sebastian Rochford / Kit Downes: A Short Diary

Read "A Short Diary" reviewed by Karl Ackermann


London-based drummer Sebastian Rochford (aka, Seb) and pianist Kit Downes have a long working history but have recorded only once as a duo on the EP Live @ The Vortex (Loop Collective, 2012). They reunite on the poignant and cerebral A Short Diary. Rochford began his relationship with ECM Records as part of the Andy Sheppard-led ...

23

Article: Interview

Tom Skinner: The Son Of Kemet Shines A Light

Read "Tom Skinner: The Son Of Kemet Shines A Light" reviewed by Chris May


Tom Skinner has been a vital presence on the alternative London jazz scene for close on twenty years. Yet, remarkably, only now in November 2022 is the drummer and composer releasing his first album under his own name. Voices Of Bishara features Skinner alongside four friends and fellow radicals: tenor saxophonists Nubya Garcia and Shabaka Hutchings, ...

28

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

11

Article: Live Review

Galway Jazz Festival 2019

Read "Galway Jazz Festival 2019" reviewed by Ian Patterson


Galway Jazz Festival 2019 Various venues Galway, Ireland October 2-6, 2019 Bat song may be a first at a jazz festival, but then they do things differently here in Galway. Bats were in and plastic was out. No plastic laminates or cable ties, no plastic on outdoor advertising, no ...

33

Article: Album Review

Kit Downes: Obsidian

Read "Obsidian" reviewed by Karl Ackermann


In 2013, pianist/organist Kit Downes, along with saxophonist Tomas Challenger, released Wedding Music (Loop Records) featuring Downes on the B-3 organ at Huddersfield University's St Paul's Church. That recording was moored in an ethereal setting that gave it an ambient, but stately quality and the duo reunited under similar conditions for Vyamanikal (Slip Imprint, 2016). In ...

27

Article: Album Review

Àine O'Dwyer: Gallarais

Read "Gallarais" reviewed by Karl Ackermann


Places of worship are hardly new venues for jazz or other forms of non-sectarian music. As far back as 1927, Fats Waller had recorded two pipe organ solos in a church in Camden, New Jersey. Stan Getz and Charlie Byrd recorded Jazz Samba (Barclay-Verve, 1962) at the Washington, D.C. All Souls Church on the corner of ...

9

Article: Album Review

Brass Mask: Live

Read "Live" reviewed by Bruce Lindsay


London's LOOP Collective has many talented members, including saxophonist and composer Tom Challenger and his band, Brass Mask. The nine-piece band--the octet which appeared on debut album Spy Boy (Babel Label, 2013) plus percussionist Jon Scott--mixes New Orleans, country blues, brass bands and contemporary jazz (including the influence of Henry Threadgill) and electronica. Many of these ...

12

Article: Live Review

Galway Jazz Festival 2016

Read "Galway Jazz Festival 2016" reviewed by Ian Patterson


Galway Jazz Festival Various Venues jny:Galway, Ireland October 7-9, 2016 The best jazz festivals are not necessarily the biggest. They're not always the ones with the marquee names. The best festivals, without a doubt, are the ones you remember, years later, for having had a hell of a good time. ...

2

Article: Album Review

Kit Downes Tom Challenger: Vyamanikal

Read "Vyamanikal" reviewed by Duncan Heining


This a beautiful and elegiac record but one that is not afraid to walk in the shadows. Other artists have utilised the combination of saxophone and organ--John Surman and Howard Moody's Rain on the Window and Jan Garbarek and Kjell Johnsen's Aftenland spring to mind. However, Kit Downes and Tom Challenger's Vyamanikal is quite different in ...


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