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Tarek Yamani
Born and raised in Beirut, Tarek is an American-Lebanese New York based self-taught jazz pianist who has been dedicated to exploring relationships between African-American Jazz and Arabic rhythms/maqams which are most evident in his second album "Lisan Al Tarab: Jazz Conceptions in Classical Arabic", and in his newly released “Peninsular” which fuses jazz with the rhythms of the Arabian Peninsula. Winner of the prestigious Thelonious Monk Jazz Composers Competition, Tarek has been fortunate to share the stage with luminaries such as Wayne Shorter, Richard Bona, Zakir Hussein, Esperanza Spalding, and Antonio Sanchez during the inaugural and the sixth editions of the International Jazz Day, at the UN Assembly Hall in New York and the Teatro de la Habana, Cuba, respectively.
Alexandra Ivanova: Beauty In Chaos
by Neil Duggan
Classically trained pianist and composer Alexandra Ivanova discovered her passion for jazz in her teens, and was mentored by Lebanese-American jazz pianist, Tarek Yamani. Perhaps as a result of having lived on three continents and speaking six languages fluently, she has experienced a range of cultural influences, giving her an unorthodox approach to her compositions. Those ...
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Lebanese Pianist Tarek Yamani Drops Electro-Arabic-Jazz Mash-Up Single In Tribute To Buzuq Maestro Matar Muhammad
Tarek Yamani—a pianist who appears to have made it his life's work to figure out just how far Arabic musical traditions can be thrust into the American jazz idiom—has unleashed perhaps his most audacious project yet. Typically an acoustic player most often fronting a trio, Yamani makes a brave about face with King Matar," a quarter-tonal ...
2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Lebanon: Jazz And The Revolution
by Ian Patterson
When people's anger and frustration spill onto Beirut's streets, music is one of the first things to suffer. Every few years, it seems, roads are blocked, and crowds swell the downtown areaangry at Syrian intervention or political assassination, enraged by Israeli attack, sick to the teeth of inadequate garbage collection. There's always something to ...
John Beasley: Master of All Trades
by Jim Worsley
In today's busy world, sometimes you just can't do it all. Apparently, John Beasley never received that memo. The pianist, composer, arranger, producer, music director, and film and TV composer is in high demand, and has an enormity of projects that would seem to belie the twenty-four hour day reality. It is perhaps the variance in ...
Take Five with Tarek Yamani
by Tarek Yamani
About Tarek Yamani Born and raised in Beirut, Tarek is an American-Lebanese New York based self-taught jazz pianist who has been dedicated to exploring relationships between African-American Jazz and Arabic rhythms/maqams which are most evident in his second album Lisan Al Tarab: Jazz Conceptions in Classical Arabic, and in his newly released Peninsular which ...
Peninsular
By Tarek Yamani
Label: Edict Records
Released: 2017
Track listing: Indisar; Hala Land; Samrias; Qumairah; Al Qorbi Nasnas; Gate of Tears;
Peninsular; Rastprints; Ayyala Cubana.