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Mario Pavone, Broken Shadows, Dan Rosenboom & Maria Grand
by Maurice Hogue
The much-respected and much-loved bassist Mario Pavone passed away in May. With great strength and fortitude and supreme dedication to the music he loved, he completed two full albums earlier this year. You'll hear a couple of tracks from one of the recordings Blue Vertical, released by Out Of Your Head Records. R.I.P. Mario. It was ...
Superposition
Label: We Jazz Records
Released: 2020
Track listing: Antiplace; Bilawal; Ballad No. 3; Miimo; Choral; Wasteland; For The Fallen; March.
Alan Braufman, Anteloper & Owl Xounds Exploding Galazy
by Maurice Hogue
It's baseball seasonsort ofso I guess you could say this episode of OMJ touches a lot of bases. The NY underground scene gets explored a bit via 70's Loft pioneer Alan Braufman who has a new release, while more recent practitioners of the outside get sampledOwl Xounds Exploding Galaxy and Scurvy. Today's Jaimie Branch is here ...
Andrew D'Angelo, Nubya Garcia, Raoul Björkenheim & New Releases
by Ludovico Granvassu
This week we have a wide-ranging palette, as well go from the maelstroms of Andrew D'Angelo's DNA Orchestra and Raoul Björkenheim's Interstellar Coltrane, to the subtleties of Mara Rosenbloom, Nathalie Darche and João Lencastre's Communion 3, through the fertile collaborations between the indie darlings Deerhoof with Wadada Leo Smith, or Nubya Garcia and Joe Armon-Jones while ...
Alexander Von Schlippenbach, Dag Magnus Narvesen and More
by Maurice Hogue
There are several new albums sampled in this episode, beginning with a pair of bands from Toronto--bassist Pete Johnston's See Through 4 which features pianist Marilyn Lerner, and drummer Ernesto Cervini's quartet. Avant-garde collaborators Alexander Von Schlippenbach and Dag Magnus Narvesen reunited for another duo session of very out-there explorations on Liminal Field. Revisiting his past ...
Superposition: Superposition
by Friedrich Kunzmann
This outing by Helsinki-based jazz group Superposition is as bold as debut records come. In place of catchy melodies, the reeds focus on odd lines composed of small intervals. Instead of comfortable swing and funky shuffles, bass-and snare-drum work up a choppy sweat to wild cymbal blows. Not to mention the unstoppable double-bass fingers, running up ...