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Musician

Roberto Magris

Born:

International jazz pianist and composer Roberto Magris (b. 1959) from Trieste, Italy, has over 39 recordings to his credit and has toured in over 42 different countries in Europe, America, Asia, Africa and Australia, performing at top jazz clubs, theatres and festivals around the world. Since 2006, Magris has mainly focused his musical interests in the USA by becoming the leading recording artist and musical director of JMood Records, the Kansas City jazz label, releasing 23 CDs under his name (“Suite!”, “Shuffling Ivories”, “Sun Stone”, "Duo & Trio", “World Gardens”, “Roberto Magris Sextet Live in Miami @ The WDNA Jazz Gallery”, which was chosen by Down Beat magazine as one of the best recordings of 2018, “Enigmatix”, “Aliens in a bebop planet” and “Morgan Rewind”, among the others). In the USA, Magris has performed in Los Angeles (The Jazz Bakery and Catalina Jazz Club in Hollywood), Kansas City (The Blue Room), Miami (WDNA Jazz Gallery, FIU Music Festival at Wertheim Performing Arts Center), Chicago (The Jazz Showcase), Milwaukee (The Jazz Estate), St. Louis, Omaha, Des Moines and Ft. Lauderdale. In 2007 he was honored by the City Council of Kansas City for his contribution to jazz music and performance at the American Jazz Museum. In Europe, Magris has performed at festivals and jazz clubs with the MUH Trio (Roberto Magris/ František Uhlíř/Jaromir Helešic Trio), which has its base in Prague and has recorded the albums “Prague After Dark” and “A Step Into Light”. Throughout his career, Magris has performed and recorded with a who’s who list of jazz legends and outstanding musicians, including Art Davis (bassist for John Coltrane), Herb Geller, Albert Tootie Heath, Idris Muhammad, Ira Sullivan, Sam Reed, Brian Lynch, Tony Lakatos, Mark Colby, Eric Hochberg, Chuck Bergeron, Paul Carr, Philip Catherine, Franco Ambrosetti, Bill Molenhof, Janusz Muniak, Bosko Petrovic, Kai Winding, Eddie Lockjaw Davis, Sal Nistico, and with a bunch of rising stars such as Hermon Mehari, Logan Richardson, Kendall Moore, Brandon Lee, Eric Jacobson, Shareef Clayton, Jim Mair, Matt Otto, Elisa Pruett, Peter Schlamb, Dominique Sanders, Brian Steever, Alfredo Chacon, Rodolfo Zuniga, Pablo Sanhueza a.o.. During his career, Magris has also directed the Europlane Orchestra (a central-European jazz venture sponsored by INCE-Central European Initiative), the Gruppo Jazz Marca, the acid-jazz bands Dma Urban Jazz Funk and Alfabeats Nu Jazz, and his Italian quartet, also recording 3 CDs issued by the renowned Italian jazz label Soulnote and one issued by Velut Luna, entitled “Big Band Ritmo-Sinfonica Città di Verona plays the music of Roberto Magris/Restless Spirits”. Over the years, Magris’ interviews and CD reviews have been published in the main international jazz magazines, books and websites such as Down Beat, Jazz Hot, JazzTimes, Cadence, All About Jazz, New York City Jazz Record, Jazzwax, Rifftides, Chicago Jazz Magazine, Jazz Inside, Jazziz, Jazz Journal UK, Jazz Podium, Concerto, Jazzwise, Orkester Journalen, Jazzrytmit, Jazzflits, Jazzmozaiek, Jazz’Halo, Doctor Jazz, World Music Report, Salt Peanuts, The Walker’s, Jazz Life, Disk Union, Jazz Magazine, Musica Jazz, Jazzit, Music Magazine, The Jazz Stories Project and many others.

1

Article: Liner Notes

Dino Betti van der Noot: They Cannot Know

Read "Dino Betti van der Noot: They Cannot Know" reviewed by AAJ Staff


The last Soul Note album of Dino betti van der Noot (rhymes with note), Here Comes Springtime (SN1149), contained six of his compositions, two of which, the title track and “October's Dream," had seasonal connotations. This time he gives us “Midwinter Sunshine" and “A Midwinter Night's Dream" in a seasonal shift. Whatever the climate of Betti ...

1

Article: Liner Notes

Dino Betti van der Noot: Here Comes Springtime

Read "Dino Betti van der Noot: Here Comes Springtime" reviewed by AAJ Staff


There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ...

231

Article: Interview

Joe Lovano: Cleveland's Ultimate Jazz Titan

Read "Joe Lovano: Cleveland's Ultimate Jazz Titan" reviewed by Matthew Alec


Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...

Album

Ironic Havoc

Label: Soul Note
Released: 2014

5

Article: Extended Analysis

Paul Motian: Jack of Clubs

Read "Paul Motian: Jack of Clubs" reviewed by Dan McClenaghan


As a drummer, Paul Motian (1931-2011) came to an early fame from his association with Bill Evans. It was the pianist's 1961 Riverside Records trio albums Waltz for Debby and Sunday at the Village Vanguard that did the trick, shifting the way of the piano trio into the direction of democracy and intricate interplay, also launching ...

Album

Descent III

Label: Soul Note
Released: 2013

Album

Tribute To Coltrane

Label: Soul Note
Released: 2013

Album

Dragonfly Breath

Label: Soul Note
Released: 2013

Album

The Chill Lounge Volume 2

Label: Soul Note
Released: 2013


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