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Sir Charles Thompson
Born:
Charles Phillips Thompson, was born on 12 March 1918, in Springfield, Ohio. After starting out on violin Thompson switched to piano and was playing professionally by his mid-teenage years. During the mid- to late 30s he played with several notable territory bands in the south-west, including that led by Nat Towles. In 1940 he was briefly with Lionel Hampton's big band but preferred small group work, although he regularly wrote arrangements for musicians including Count Basie and Jimmy Dorsey. During the 40s and 50s Thompson worked with leading jazzmen such as Lester Young (who bestowed upon him the title by which he was subsequently known), Coleman Hawkins, Illinois Jacquet, Jimmy Rushing and Buck Clayton, the last an especially important musical associate. Through the 60s he continued playing with Roy Eldridge, Clayton and other major artists, and also led his own groups, often switching to organ
Charlie Parker: Ten High Flying Albums Of Paradigm Shifting Genius
by Chris May
Born in Kansas City, Kansas in 1920, and brought up across the state line in anything-goes, jazz-friendly Kansas City, Missouri, controlled from the mid 1920s to the late 1930s by the spectacularly corrupt politician Tom Prendergast, alto saxophonist Charlie Parker lived fast and hard and passed in 1955, aged only 34 years. A founding father of ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
The Empire Jazz Orchestra: Out of the Mist
by Jack Bowers
Out of the Mist is the sixth album (and first in a studio) recorded by the Empire Jazz Orchestra, a professional repertory ensemble founded in 1992 and in residence since then at Schenectady County (NY) Community College. While there is no comprehensive theme underlining its latest enterprise, the EJO's stated purpose is to perform music from ...
"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Charlie Parker: The Complete Masters 1941-54
by Chris May
Charlie ParkerThe Complete Masters 1941-54Universal France2012 It is possible that more “complete" collections of the work of Charlie Parker have been released than there were recordings made by the saxophonist. And as you beat your way through the box set undergrowth, caution is required. Few of the ...
Randy Weston: African Stories, African Rhythms
by Ian Patterson
In over 60 years as a leader, pianist Randy Weston has achieved an incredible amount. He has recorded nearly 50 albums and has been hailed in the process as the natural heir to Duke Ellington and Thelonious Monk. Three times he has been voted Downbeat's composer of the year, and his compositions have been recorded by ...
Sir Charles Thompson
by Mitchell Seidel
The world of jazz is filled with royalty. Paul Whiteman, Benny Goodman and Benny Carter were all dubbed “King" at one point or another, of jazz, swing and just plain, respectively. Ellington was Duke, Hines was an Earl and Basie held two titles, that of Count and King. When he was barely out of his teens, ...
Sir Charles Thompson: Robbin's Nest
by Derek Taylor
In his youthful years during the 1940s Sir Charles Thompson was fortunate enough to be situated at ground zero for the collision between swing and bebop. High profile sessions with Charlie Parker, Illinois Jacquet, Coleman Hawkins and others ensued as well as stints with Lester Young, Roy Eldridge and Don Byas. How’s that for a resume? ...
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