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Sarathy Korwar
Born in the US, Sarathy Korwar grew up in Ahmedabad and Chennai in India. He began playing tabla aged 10, but was also drawn to the American music that he heard on the radio and leaking through the doorway of his local jazz music shop (Ahmad Jamal and John Coltrane were early discoveries). At 17, Korwar moved to Pune to study Environmental Science, but instead dedicated his time to music, practising tabla under the tutelage of Rajeev Devasthali, translating his skills to the western drum kit and playing as a session musician. On completing these studies a decade ago, he moved to London where he trained as a classical tabla player under the guidance of Sanju Sahai at SOAS (The School of Oriental and African Studies), focusing on the adaptation of Indian classical rhythmic material to non-Indian percussion instruments. Korwar has since established himself as one of the most original and compelling voices in the UK jazz scene, leading the UPAJ Collective - a loose band of South Asian jazz and Indian classical musicians brought together through a love of collaboration and improvisation who set up a residency at the Jazz Café in London
Torino Jazz Festival 2023
by Libero Farnè
Torino Jazz Festival Varie sedi 22--30.4.2023 Sono molte le ragioni che hanno fatto del Torino Jazz Festival un evento di grande successo: il costo dei biglietti decisamente abbordabile, la buona promozione mediatica, la distribuzione dei concerti in vari spazi, anche periferici, idonei alle diverse proposte musicali, la mirata serie d'iniziative ...
Brilliant Corners 2023
by Ian Patterson
Brilliant Corners Black Box jny:Belfast, N. Ireland 2-11 March, 2023 One of the highlights of Belfast's music calendar, Brilliant Corners' eleventh annual shindig served up thirteen concerts over nine days. As ever, the main venue was Black Box, where audiences were treated to the best of Irish, British, European and North ...
Thandi Ntuli, Frank Zappa, Jason Moran, Soweto Kinch & Other New Releases
by Ludovico Granvassu
Welcome to the first edition of Mondo Jazz of 2023! Judging by how the year started, it should be jazz a-plenty as we open with Jason Moran's latest project, released just hours after the new year started, dedicated to James Reese Europe. After that many recent compelling releases, from Thandi Ntuli to Frank Zappa (newly published ...
Flock
Label: Strut Records
Released: 2022
Track listing: Expand; Prepare To Let Go; Sounds Welcome; It’s Complicated; What Purpose; Murmuration; Bold Dream; My Resonance; How Many Are One; Fully Breathed.
Flock: Flock
by Chris May
One of the strengths of the alternative jazz scene which has grown in London since around 2016 is the interconnectivity of its players. Everyone knows each other and ad hoc bands constantly come together. Flock is the latest such conclave and it is something of a supergroup. On this its first album--others are ...
Binker & Moses: Feeding The Machine
by Karl Ackermann
After saxophonist Binker Golding and drummer Moses Boyd released their debut album, Dem Ones (Gearbox Records, 2015), the duo earned the U.K. Jazz FM Awards' Best Jazz Act" trophy (2016). Unquestionably the soul of their own machine, Binker and Moses have rarely functioned simply as a duo. By their second Gearbox release, Journey To The Mountain ...
Ill Considered - Reconsidered
by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...
Ill Considered: Liminal Space
by Chris May
London's semi-free trio Ill Considered makes music in much the same way as does tenor saxophonist Binker Golding and drummer Moses Boyd's duo, Binker and Moses--using simple rhythmelodic motifs as jumping off points for otherwise unstructured improvisation, much of it blazingly intense. Originally a quartet, Ill Considered now comprises founder members tenor saxophonist and bass clarinetist ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant intervieweequite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...