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About Musica ex Machina

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Musician

Musica ex Machina is a project born in Cagliari (Sardinia, 2005) with the objective of creating an original repertoire, oriented toward improvisation and live performances. To these guidelines, we added the will to produce a type of music that would bring back the spontaneity and folk aspect of jazz, a path we followed to explore different genres of popular world-music. The result was a surprising ever-changing repertoire that immediately found public support. In 2006, we started a collaboration with the American Dance Asylum, a New York State non profit organization that produces the Ichnusa Festival (a bridge of culture and entertainment between New York and Sardinia)

About Guido Coraddu

Instrument: Piano

Results for pages tagged "Musica ex Machina"...

Musician

Guido Coraddu

Born: April 2, 1972

Guido Coraddu was born in Cagliari (Sardinia) in 1972 and start play piano when was seven. He studied piano at the Conservatory where graduated. He also studied Electronic Engineering at the University of Padova and graduated in 1999 with a thesis on Music Technology Systems at the Centro di Sonologia Computazionale. He has played with numerous Italian jazz bands, and with musicians as Louis Sclavis, Alessandro Anastasi, Marco Rovelli, Roy Paci, Daniele Sepe, Victor Seen Yuen, Fred Johnson, Kenny Brawner, Cecilia Smith, Kevin Nathaniel. He has composed music for dance‐theatre plays, mainly for dancer/choreographer Carla Onni, and soundtracks for film, radio and television (in particular for the popular RAI transmission "chi l'ha visto" and for Radio Rai "Tempus")

Article: Album Review

Musica ex Machina: L'Age d'Or

by AAJ Italy Staff
June 13, 2012

L'Age D'Or nasce dall'esperienza dell'Ichnusa Festival diretto da Paola Bellu, ponte di cultura e di spettacolo tra New York e Sardegna, che ha visto svilupparsi una fruttuosa collaborazione tra artisti sardi e jazzisti d'oltreoceano con risultati, in certi casi, straordinari. E quello che vi stiamo raccontando è proprio uno di questi casi: qui infatti il quartetto ...