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Michael Karn
Born:
Tenor saxophonist/Bassist Michael Karn has been involved in the New York jazz scene for more than 25 years, and in that time he has worked with many of the music world’s most creative artists. Born on July 12, 1966, Michael began playing jazz in high school, winning awards at several competitions and appearing in the 1984 New York High School All State Jazz Ensemble. From there it was on to New York University, where he studied saxophone with Joe Lovano, and performed with the school's top ensemble, led by Jim McNeely. Upon graduating Michael immediately joined the Ray Charles Orchestra, touring the United States, Europe, and Japan
Battle Lines
By Steve Fidyk
Label: Blue Canteen Music
Released: 2020
Track listing: Ignominy; Battle Lines; Loopholes; Thank You,
Dziekuje; Bebop Operations; Bootlickers Blues;
Lullaby For Lori
And John; Churn; Steeplechase; #Social Loafing;
Sir John.
Battle Lines
By Steve Fidyk
Label: Blue Canteen Music
Released: 2020
Track listing: Ignominy; Battle Lines; Loopholes; Thank You, Dziekuje; Bebop Operations; Bootlickers Blues; Lullaby For Lori
and John; Churn; Steeplechase; #Social Loafing; Sir John.
Steve Fidyk: Battle Lines
by David A. Orthmann
Battle Lines, the inaugural release of Steve Fidyk's Blue Canteen Music label, bears the stamp of a rhythm section capable of adroitly assuming multiple identities. During large portions of three amiable, bop-oriented tracks, “Bebop Operations," “#Social Loafing" and “Sir John," Fidyk's drums, bassist Michael Karn and pianist Peter Zak move the music along without any fuss ...
Steve Fishwick/Alex Garnett Quartet: Marshian Time Slip
by Bruce Lindsay
If the record label's name and the vinyl album's gorgeous retro sleeve aren't enough of a clue, the first few bars of “The Wrath Of Karn" make it clear. Marshian Time Slip is a contemporary slice of hard bop, from four excellent practitioners of the art. From cool, slow-burning and moody ensemble pieces to fast-paced, explosive, ...
Michael Karn Quintet: In Focus
by David A. Orthmann
Michael Karn’s maiden voyage as a leader reveals an accomplished tenor saxophonist who is capable of shaping the sound of a quintet like a veteran. His playing is influenced by Coltrane, Mobley, Gordon, and Henderson, but nonetheless has attained an impressive degree of individuality. Similarly, the band’s sound can be placed in the modern mainstream, and ...
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