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Meade Lux Lewis
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The driving left-hand blues style known as boogie-woogie appeared around 1900 It began to surface in saloons, honky-tonks, bawdy houses, and "barrelhouses" in the South and Midwest around 1912. "Barrelhouse" became synonymous with boogie-woogie. Music was generally supplied by a single pianist on an instrument in a questionable state of repair. The strongest possible expression of rhythm was therefore necessary, and the boogie bass supplied it perfectly. Primitive, gutsy, driving, it could be heard above the noise of the crowd and would work, at least in some keys, if the piano was missing a few keys
Many Shades of Blues
by Jerome Wilson
This special episode deals with all manners of blues: piano blues, jump blues, harmonica blues, British blues, blues singers and more. Artists heard on the show go all the way from Memphis Slim and Big Mama Thornton to Cecile McLorin Salvant and The Microscopic Septet. Playlist Henry Threadgill Sextett “I Can't Wait Till I ...
2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...
Bill Evans: After Hours
by Ken Dryden
Bill Evans was strictly known as a pianist, though he studied flute throughout college, yet he claimed to have “no chops on the instrument." His only previously known vocal was recorded on a lark at the conclusion of a Monica Zetterlund recording session for Philips, consisting of a playful, hip take of “Santa Claus Is Coming ...
Michael Cuscuna: In The Vault Playing God
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
50th Anniversary Blue Notes for May
by Marc Cohn
Time for 50th anniversaries of Blue Note recordings from May 1970 (logically enough!): Lonnie Smith's Live at Club Mozambique; Donald Byrd's Electric Byrd; Joe Williams' Worth Waiting For and the Thad Jones-Mel Lewis Orchestra (Consummation). Then there's some 21st century music (Jane Ira Bloom, Andy Hunter, Tony Kofi and Brian Bromberg), as well as previously unreleased ...
Blue Note 50th Anniversaries for March and More
by Marc Cohn
It's time for Blue Note 50th anniversaries. We present material from Andrew Hill with voices and The Three Sounds live in L.A., which was released decades after the actual recording dates. In addition, Jack McDuff recorded with a big band in London, released on LP as To Seek a New Home, but never released on CD ...
50th Anniversary Blue Notes for December, Including The Rare Jazz Wave on Tour
by Marc Cohn
50th anniversary Blue Notes from December 1969 this week from Jack McDuff (Moon Rappin') and Reuben Wilson (the seriously greasy Blue Mode) and part of a Donald Byrd session (Kofi) only released 25 years after the fact! Then, there's this one: Jazz Wave Ltd. on Tour, Volume 1. It's a double LP (it's in my lap ...
Blue Note releases from November 1969: Hill, Hutcherson, Cox & Pearson
by Marc Cohn
Time for Blue Note 50th anniversaries from November 1969, with released by Andrew Hill (Passing Ships), Bobby Hutcherson (Now!), Kenny Cox (Multidirection) and a short Duke Pearson session that ended up on I Don't Care Who Knows It. There's also BN-15, a 78 from Meade Lux Lewis. Along the way: 13-year-old Brandon Goldberg on the 88s ...
50th Anniversary Blue Notes for May & More
by Marc Cohn
May 1969 saw Blue Note recording some 'Brazilian' jazz, soulful tunes and two 'spiritual' jazz sessions--a very broad palette. Some are fantastic and some mundane. Listen and see what you think. Also a few other 50th anniversary bits, Blue Note #9 and a tad more. Enjoy the show.
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