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Max ZT
“I think we’re in the midst of a mass awakening,” says Max ZT, “a kind of collective reprioritization. It feels like we’ve been forging our way through the darkness, and now the light is finally about to break through.”
With Daybreak, Max’s mesmerizing new album of hammered dulcimer music, the light has arrived. Recorded at home in the midst of the COVID-19 pandemic, the fully-improvised instrumental collection channels all of the hope and fear and pain and discovery of these past few years into a captivating sonic journey that’s equal parts medicine and meditation. The songs here are spare and deliberate, calling on Indian, African, and Celtic traditions as they move with grace and wonder, and the performances are nothing short of entrancing, managing to showcase both Max’s virtuosic command of his instrument and the innovative approach that’s earned him widespread acclaim. A national champion performer, Max has been praised as the Jimi Hendrix of the hammered dulcimer by NPR, but Daybreak isn’t about fireworks or flash. Instead, the album is an offering, an ego-sublimating invitation to step outside of yourself and find peace and comfort in reflection.
On Becoming
Label: GroundUP Music
Released: 2023
Track listing: Folding Cranes; Avaloch; 705; Hang in the Air; Tsumamion; Azures; Still; The Wall; Kabuseori.
House of Waters: On Becoming
by Jim Worsley
Flowing in many directions yet forever staying in the moment is largely the challenge and artistic purpose of House of Waters. Here they once again bring forth new and creative concepts that are freely exchanged and intertwined. New beginnings, drawn from multiple sources, as well as further exploration of the past, create the wonder, awe, and ...
House of Waters: The Fresh Fountain of Fusion
by Jim Worsley
Fascinating is the first word that comes to mind, followed by insightful, sophisticated, adventurous, engrossing, and perhaps even astounding. Am I making reference to House of Water's most recent record, Rising (GroundUP, 2019) or am referring to a conversation with the three accomplished and notably bright musicians who comprise House of Waters? The answer is yes. ...
House of Waters: Rising
by Jim Worsley
A musical instrument with a sounding board or box, typically trapezoidal in shape, over which strings of graduated length are stretched and played by being struck with handheld hammers. Step to the head of the class if you immediately knew this was describing a dulcimer. It's not an instrument generally associated with jazz. Come to think ...
House Of Waters: House Of Waters
by Roger Farbey
The eponymous follow-up to House Of Waters's 2012 album Revolution is no less an iconoclastic offering than its predecessor (or the band's previous two albums Peace The Coats and Elsewhere). Iconoclasm here is a relevant noun because the trio's musical approach confounds traditional perspectives. So although not compositionally similar to say, Philip Glass's extraordinary soundtrack Koyaanisqatsi, ...
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