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Lee Konitz
Born:
Konitz is sometimes regarded as the preeminent cool
jazz saxophonist, because he performed and recorded
with Claude Thornhill, Lennie Tristano (both often cited as
important cool jazz proponents of the mid 1940s), and
with Miles Davis on his epochal Birth of the Cool, which
gave the form its name.
Konitz has also been repeatedly noted as one of the few
jazz saxophonists of the late 1940s and 1950s who did
not seem imitative of the massively influential Charlie
Parker.
In the early 1950s, Konitz recorded and toured with Stan
Kenton's orchestra.
In 1961, he recorded Motion with Elvin Jones on drums
and Sonny Dallas on bass
Chess Match
Label: April 1
Released: 2024
Track listing: Opening Gambit; Pawn Picking; Fianchetto; Pinned Piece; O-O-O; Knife Fork; Queen Sack; Pawn
Race; Under Promotion; Time Trouble; Zugswang; White Resigns.
Record Store Day 2024 Jazz Releases
by Kyle Simpler
Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Bill Anschell / Brent Jensen: We Couldn't Agree More
by Thomas Conrad
Wynton Marsalis recently said, “The hallmark of a first-class jazz musician is the ability to adapt." It is a paradoxical statement. But Marsalis is not using the term “adapt" in the Darwinian context of adaptation and natural selection. He does not mean adapting to, say, bad food on the road. He is referring to listening skills ...
Anthony Braxton & Lee Konitz: Chess Match
by Ken Dryden
Anthony Braxton and Lee Konitz were hardly strangers by the time they appeared together on Dave Brubeck's LP All The Things We Are (Atlantic), on the track “All The Things You Are." Prior to that 1974 session, the men had met, found common ground and planned to record together in Copenhagen, though that session evidently did ...
Ism: Maua
by John Sharpe
What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Cosimo Boni Quintet al Brillante di Firenze
by Neri Pollastri
Cosimo Boni Move On Brillante--Nuovo Teatro Lippi Firenze 25.2.2024 Trombettista toscano trentatreenne, a lungo negli U.S.A. per ragioni di studio e ritrovatosi di nuovo in patria a seguito della pandemia, Cosimo Boni è da poco uscito con il suo primo disco a proprio nome, May Be--Unable to Return, pensato ...
Noah Becker: Mode for Noah
by Jack Bowers
Alto saxophonist Noah Becker guides a splendid trio of western Canadian sidemen through their paces on Mode for Noah, which consists of seven of his original compositions. Becker's music is glossy and well-balanced, as are his solos, which, to his credit, do not quickly bring to mind any of his contemporaries. He plays ...
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