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Larry Young
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A true innovator on the Hammond B3, Young took a different musical path than any of the other organ masters of his time: Although he started out drawing his major influences from the work of Jimmy Smith and the gospel and blues elements that other players employed, but eventually turned to a more complex, modal approach to the organ with sophisticated harmonic and chordal structure Larry Young was born on October 7, 1940, and hails from Newark, New Jersey. His background includes study of both classical and jazz music on the piano, but had a natural family bond with the organ. Larry Young, Senior, his father, was an organist and was the first major musical influence on his son
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of ...
Nathan Davis Quintet: The Hip Walk
by Ken Dryden
There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, ...
Ray Gallon, Larry Young, Rachel Eckroth & Vince Guaraldi
by Joe Dimino
We are kicking off the 2023 holiday season and the 830th Episode of Neon Jazz in style with Vince Guaraldi leading the march of a never-before-released Charle Brown Thanksgiving. From there, we get into a host of tasty jazz from Rachel Eckroth, Janet Evra and Maria Grapsa. We also get some perennial music from heavyweights Petros ...
Autumn Jazz Weathers Well in San Francisco
by Arthur R George
Autumn is a special season for jazz in jny: San Francisco. The weather at other times of the year variously drives one indoors for warmth, a good enough reason to seek shelter in jazz. But in the autumn, mostly gone is the bone-chilling summer fog that pours into the city from the cold Pacific Ocean. Not ...
Greg Byers: Take A Bow
by Ian Patterson
Greg Byers does not like hearing that something is not possible. Or perhaps he does, for the cellist seems to thrive on challenges that others deem impossible or unrealistic. Taking a jazz major in cello? It just isn't done, he was told. Well, ticked that box. Learning Charlie Parker's solos on upright bass? ...
Jason Keiser: Shaw's Groove
by Jack Bowers
The “Shaw" in guitarist Jason Keiser's album Shaw's Groove is the late great Woody Shaw, one of the more innovative and influential jazz trumpeters of the twentieth century. Even though he lived only forty-four years (he died in May 1989), Shaw was an important role model whose sweeping influence remains strong to this day, both as ...
Conrad Herwig: Obligation
by C. Andrew Hovan
Jazz fans tend to be fanatical about those artists that most directly speak to their own musical tastes. Over time, a sense of familiarity with the musical personalities of their iconic favorites becomes entrenched, followed by categorization based on style and genre. Those already familiar with Conrad Herwig's musical endeavors over the past 20 years are ...
Organ Monk: Uwo In the Black
by Howard Mandel
Organ Monk is the inspired--some might say “mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' ...
Meet Clifford Bass
by Tessa Souter and Andrea Wolper
Our newest super fan's first jazz record was The Best of Nat King Cole, which he chose at just ten years old! The bug bit him so hard that, by age 14, he was listening obsessively to A Love Supreme. He is now such a fan of improvisational, in-the-moment performance that he rarely listens to recordings, ...
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