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George Wallington
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George Wallington, accomplished pianist, composer, and arranger, had been closely associated with the progressive jazz movement since the mid-40s when this new phase of American music was being nurtured in New York’s Harlem and along 52nd St. He was, in fact, the pianist with Dizzy Gillespie’s first bop band at the Onyx club in 1944, where his contributions reflected his innate creative ability, a talent that established him as one of the best composers in the progressive field. Wallington’s astonishing, fast-moving eloquence as a pianist, contrasted strangely with his introvert, laconic manner as a person
Bobby Watson, Sonny Rollins, Wayne Alpern & Terell Stafford
by Joe Dimino
We begin the 798th Episode of Neon Jazz with trumpeter Terell Stafford followed by music from his mentor, saxophonist Bobby Watson. From there, we hear new music from Jacques Schwarz-Bart, Canadian Jazz Collective, Mike Bell and the combo of Chris Bates & Nathan Hanson. Finally, we hear from Wayne Alpern to round out the show. Dig ...
Birth of the Cool at 75: A Philadelphia Premiere at the Clef Club
by Victor L. Schermer
Orchestra 2001 Philadelphia Clef Club of Jazz and Performing Arts Birth of the Cool: A Philly Premiere, 75 Years Later jny:Philadelphia, PA March 29, 2023 The advanced publicity for this exciting historically-based concert must have hit the pleasure centers of many fans, as it sold out on the second ...
Roberto Magris: Shuffling Ivories
by Jack Bowers
In 2018, while he was in Chicago to record his ninth album, Suite!, for JMood Records, pianist Roberto Magris was introduced by tenor saxophonist Mark Colby to bassist Eric Hochberg, an artist with whom Magris formed an almost immediate bond. After performing together at Chicago's Jazz Showcase, Magris and Hochberg decided they should record together, and ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Daniel Herskedal: Voyage
by Roger Farbey
Daniel Herskedal's third release for Edition Records is no less intriguing than his first two, Slow Eastbound Train (2015) and The Roc (2017). It's tempting to summarise the album as “pastoral," but there's a lot more to it than that solitary adjective. Granted, tunes like “The Horizon" and “Molly Hunt's Seagulls" really are pastoral, dreamlike, and ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Time Check: A Paucity of Riches?
by Jack Bowers
On May 18, Betty and I flew to Los Angeles to attend Time Check: A Buddy Rich Alumni Reunion, a four-day panorama sponsored by the L.A. Jazz Institute and held at the Sheraton Gateway Hotel, about a stone's throw or two from the LAX airport. We arrived early afternoon so we could also be present for ...
George Wallington: Trios
In its infancy in the mid-1940s, bebop was about speed and generating ideas on the fly. This was particularly true of the piano, the instrument that typically kicked off bebop songs, kept the rhythm going and put meat on the bone, so to speak. At first, bebop's velocity made the style a private club, since few ...
Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap
by Patricia Myers
Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season ...
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