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About Genesis
Instrument: Band / ensemble / orchestra
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Genesis
One of the most successful rock acts of the 1970s, 1980s, and 1990s, Genesis enjoyed a longevity exceeded only by the likes of the Rolling Stones and the Kinks, in the process providing a launching pad for the superstardom of members Peter Gabriel and Phil Collins.
The group had its roots in the Garden Wall, a band founded by 15-year-olds Peter Gabriel, Tony Banks, Johnny Trapman, Chris Stewart and Rivers Job in 1965 at Charterhouse School in Godalming, Surrey, where fellow students Anthony Phillips, Robert Tyrell, Rivers Job, Michael Coleman and Richard McPhaeil were members of another group called Anon. Mike Rutherford was in The Climax, with Chris Stewart (drums), Chris Pigott (bass guitar), Duncan James (lead guitar) and Tim Hobart (vocals). The Scarlet and Black group included Toby Ward (drums), Guy Ross-Lowe (bass guitar), Michael Slack (piano), Mark Weeks (piano and guitar), Richard Apley (saxophone), Andrew Bruce (trombone) and Paul Gabriel (vocals).The groups initially merged out of expediency as the older members of each graduated; Gabriel, Banks, Rutherford, Phillips, and drummer Chris Stewart soon joined together as the New Anon, and recorded a six-song demo featuring songs primarily written by Rutherford and Phillips. The Charterhouse connection worked in their favor when an ex-student, recording artist and producer Jonathan King, heard the tape and arranged for the group to continue working in the studio, developing their sound. It was also King who renamed the band Genesis.
Genesis
Label: Self Produced
Released: 2023
Track listing: Gyau (Walton’s Call); On the Move; Firm Roots; Midnight Oil; In the Beginning (Erik’s Flow);
The Creation; First Sight (Kenny’s Prelude); Intoxicating Beauty; Prototype; Release; Merging
Lanes; Nutville Remix.
Black Gold Orchestra: Genesis
by Jack Bowers
Two years after it was formed by drummer Larry Wilson in 2021, the impressive Atlanta, Georgia-based Black Gold Orchestra has released its debut album, Genesis, a handsome medley of original compositions by Wilson and saxophonist Frank Houston complementing others by Cedar Walton, Horace Silver, Charles Earland and OutKast (a.k.a. Andre Benjamin). Even though ...
Exposures
by John Kelman
Between the impact of the COVID pandemic since 2020, and in the eight year-long tenure of King Crimson's final lineup, which toured between 2014 and 2021, there's been a lot revealed about its sole remaining founding member, guitarist/keyboardist Robert Fripp. Since 2012, the more than five-decade history of King Crimson, live and in the ...
LUUM: The Guide
by Mike Jurkovic
Smudging the margins, rock-fisted drummer Karl-Juhan Laanesaar crashes into the symmetrical meditation of young Estonian pianist Madis Muul's “We Have Found Water" and changes the music's fate (from ballad to pensive electronica and back again) before closing on a ferocious little jam which surrenders to a quiet reprieve. That is just for openers for ...
Adam Berenson: Homages and Worlds
by Karl Ackermann
Adam Berenson's Assemblages (Dream Play Records, 2021), a trio outing with bassist Scott Barnum and drummer Bob Moses, was the pianist/composer's return to an acoustic piano trio setting. But Berenson is a restless pioneer who plants a flag and moves on to new territory. Never far from his collection of electronics and synthesizers, he found a ...
Who Do You Think We Are?
by John Kelman
Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...
Bill Bruford: In the Court of the Percussion King
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, ...
Unburied Treasure
by John Kelman
Of all the so-called progressive rock bands that emerged in the late '60s/early '70s, Gentle Giant has, perhaps, been the most misunderstood, and the one which failed to reach the same deserved commercial heights of its creatively innovative brethren, like King Crimson, Yes, Genesis and Pink Floyd. Of the bigger names from that time, only Van ...
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