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Remy Le Boeuf’s Assembly of Shadows: Heartland Radio
by Dan Bilawsky
This ear-grabbing date from Remy Le Boeuf's Assembly of Shadows--the band's third release, following its eponymous debut (in 2019) and Architecture of Storms (SoundSpore Records, 2021)--is a sonic mirror, reflecting the multihyphenate leader's recent travels in both life and sound. Influenced by an odyssey across inland America, sights encountered along the way, and the adventitious, airwaves-dictated ...
Dave Douglas: Gifts
by Glenn Astarita
Dave Douglas' Gifts emerges not merely as a collection of tracks but as an opulent gala in honor of the eternal essence of music, welcoming audiences across the spectrum of generations to partake in its celebration. This project is akin to a masterfully blended concoction of shared human emotions and experiences, articulated through the universal dialect ...
Julieta Eugenio: Stay
by Dan McClenaghan
Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, ...
Mendoza - Hoff - Revels: Echolocation
by Glenn Astarita
In the ever-evolving landscape of contemporary jazz, Echolocation emerges as a bold exploration of sonic frontiers. Crafted through the collaborative virtuosity of Ava Mendoza on guitar and Devin Hoff on bass, this project embarks on a musical journey which delves deep into the avant-garde jazz realm, blending experimental rock, electric jazz, and the limitless creativity of ...
Frank Carlberg Large Ensemble: Elegy for Thelonious
by Mark Corroto
There was a sardonic saying circulating a few years ago that observed, “It's Frank Sinatra's world, we just live in it." While that was a backhanded compliment, tailoring it to the subject of this large ensemble recording, we would call it a commendation. Pianist, composer, and conductor Frank Carlberg is telling us, “It's Thelonious Monk's world, ...
Jim Snidero: For All We Know
by Dan McClenaghan
The cover photo on Jim Snidero's For All We Know features the saxophonist holding his horn out in front of his body as if he is offering it to us as a holy relic. Holy it is when he plays it; a relic it is not. The album is Snidero's first recorded offering in ...
Yuhan Su: Liberated Gesture
by Hrayr Attarian
A remarkable feature of vibraphonist Yuhan Su's captivating fourth release as a leader, LIberated Gesture, is its cohesiveness and narrative quality. Even though only three tracks are part of a suite, common motifs and logical transitions interconnect all ten. This and the sublime balance between the emotional and the cerebral endows the work with its enchanting ...
Jeff Lederer with Mary LaRose: Schoenberg on the Beach
by Jerome Wilson
Saxophonist Jeff Lederer has used several unexpected inspirations for musical projects over the years, such as Shaker hymns and the writings of Herman Melville. Schoenberg on the Beach may be the most audacious thing he has ever done. It blends the compositions of Arnold Schoenberg and Anton Webern and the sounds of Coney Island together into ...
Yuhan Su: Naked Swimmer
by John Chacona
For Liberated Gesture, her fourth release, Taiwan-born, New York vibraphonist Yuhan Su assembled a band of saxophonist Caroline Davis, pianist Matt Mitchell, bassist Marty Kenney and drummer Dan Weiss, all of whom play at their usual exalted level. That's fast company, but Su holds her own, moving smoothly in and out of taut ensemble passages and ...
Ethan Philion: Gnosis
by John Chacona
When it comes to making memorable entrances, Ethan Philion is on a par with Seinfeld's Kramer. The jny: Chicago bassist burst into the scene with Meditations on Mingus (Sunnyside Records, 2022), an audacious debut recording on which he arranged familiar selections and deep cuts from the towering jazz bassist Charles Mingus. On Gnosis, the forces are ...
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