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Freddie Green

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Freddie Green was the guitarist in what is generally considered to be the best rhythm section in the history of big band jazz, and dubbed the All-American Rhythm Section, which featured Count Basie, bassist Walter Page, and drummer Jo Jones. Green continued with the band until 1987. From the start Green earned a reputation as a stylist without equal, fans and fellow players referred to him as Mr. Rhythm with the utmost respect. Born in Charleston, South Carolina, on March 31, 1911, he began playing banjo at the age of 12. He got his first job locally with a band called the Nighthawks, then toured with the famous Jenkins Orphanage band, though Green himself was not a member of the school

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Article: Liner Notes

John Basile: Heatin' Up

Read "John Basile: Heatin' Up" reviewed by Bill Milkowski


John Basile's warm tone and impeccable articulation on Heatin' Up at first may trigger memories of the late, great Pat Martino, an iconic guitarist whom Basile obviously admires. But listen closer to the elegant phrasing, the confident use of space and “less is more" approach he applies to tunes like Cy Coleman's “See Saw," the oft-covered ...

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Article: Book Review

Kansas City Jazz: A Little Evil Will Do You Good

Read "Kansas City Jazz: A Little Evil Will Do You Good" reviewed by Andrew Hunter


Kansas City Jazz: A Little Evil Will Do You Good Con Chapman 358 pages ISBN: # 978 1 80050 282 6 Equinox Publishing Limited 2023 In January 1920, the Eighteenth Amendment to the United States Constitution came into effect, ushering in 14 years of Prohibition and, inadvertently, a golden ...

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Article: Liner Notes

Paul Quinichette: Like Basie

Read "Paul Quinichette: Like Basie" reviewed by C. Andrew Hovan


Like any business concerned with making a profit, the record industry has often resorted to questionable concepts, tributes, or other hooks to lure more costumers to their product. Currently we find ourselves in an era where the quality of original music is arguably on the decline, thus it has become even more prevalent to use nostalgia ...

News: Recording

Backgrounder: Freddie Green's Mr. Rhythm

Backgrounder: Freddie Green's Mr. Rhythm

Freddie Green, Count Basie's long-time rhythm guitarist, recorded just one album as a leader—Mr. Rhythm, for RCA in December 1955. Green's tenure with Basie date back to March 1937.  On Mr. Rhythm, Green assembled an all-star group that was arranged like a pocket version of Basie's band, complete with Nat Pierce on piano: Joe Newman (tp), ...

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Article: Album Review

The Scott Silbert Big Band: Jump Children

Read "Jump Children" reviewed by Jack Bowers


The best music, in jazz or any other genre, is and should be timeless. To prove the point, the Scott Silbert Big Band celebrates the songs of a bygone era on its debut album, Jump Children, refreshing a number of memorable themes from the '30s, '40s and '50s and underscoring their relevance in an ultra-modern twenty-first ...

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Article: Radio & Podcasts

Shelly Manne, Alexis Cole & Susan Krebs

Read "Shelly Manne, Alexis Cole & Susan Krebs" reviewed by Joe Dimino


We begin the 735th Episode of Neon Jazz with the talented jazz singer and actress Susan Krebs. Then it's on to her mentor, Sheila Jordan and wonderful young singer in Nicole Henry. Other artists ranging from Jackson Potter to David Finck keep releasing quality music and we are profiling them here at the show. Old school ...

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Article: Album Review

Andy Farber and His Orchestra: Early Blue Evening

Read "Early Blue Evening" reviewed by Jack Bowers


Saxophonist Andy Farber's New York-based orchestra came together and cut its teeth as the onstage band for three hundred performances of After Midnight, a Broadway revue that paid tribute to Jazz Age nightclub luminaries from Duke Ellington, Jimmie Lunceford and Count Basie to Harold Arlen, Dorothy Fields and Jimmy McHugh. As one might presume from the ...

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Article: Album Review

Ben Goldberg: Everything Happens To Be.

Read "Everything Happens To Be." reviewed by John Chacona


The music of Ben Goldberg seems to come from a place outside of time--or maybe it comes from several times simultaneously. Maybe it's the instruments he chooses; while the clarinet family has been on the comeback trail in jazz for a quarter century, it's a sound that invariably invokes the New Orleans of a century ago. ...

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Article: Album Review

Schapiro 17: Human Qualities

Read "Human Qualities" reviewed by Jack Bowers


Following its splendid premiere recording, an exploration of Miles Davis' unrivaled album Kind Of Blue (Capitol Records, 1959), composer/arranger Jon Schapiro's 17-member ensemble broadens its horizons on Human Qualities, pairing seven of the maestro's astute and adventurous charts with the Roberta Flack best-seller, “The First Time Ever I Saw Your Face." This time around, Schapiro proves ...


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