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3

Article: Multiple Reviews

The Worlds of Ignaz Schick

Read "The Worlds of Ignaz Schick" reviewed by Mark Corroto


It may be a bit of hyperbole to call Ignaz Schick a Renaissance man. If, though, we take architect Leon Battista Alberti's (1404-72) definition “a man can do all things if he will," then labeling Schick with that epithet is not such a stretch. The German composer, musician, turntablist, visual artist, label chief, and inventor has ...

5

Article: Take Five With...

Take Five with Mareille Merck

Read "Take Five with Mareille Merck" reviewed by AAJ Staff


Meet Mareille Merck Mareille Merck is a guitarist and composer who was born in Germany and lives in jny: Zurich, Switzerland. She studied with Frank Möbus, Lionel Loueke, Wolfgang Muthspiel, Roberto Bossard and Kalle Kalima. At the young age of 25 she has already shared the stage with John McLaughlin and Michael League from Snarky Puppy. ...

11

Article: Interview

Matthew Jacobson: Rituals Of Sound And Time

Read "Matthew Jacobson: Rituals Of Sound And Time" reviewed by Ian Patterson


For someone whose livelihood and lifeblood are all about rhythms, the COVID-19 lockdown, with its very different rhythms, must be extremely frustrating. Especially when, as is the case with Matthew Jacobson, renowned drummer, composer, promotor and record label manager, there is no drum kit in his Dublin apartment. “I've been doing more work on ...

2

Article: Radio & Podcasts

New Releases from Bhate, Bisio, Weiskopf, Eisenstadt and More...

Read "New Releases from Bhate, Bisio, Weiskopf, Eisenstadt and More..." reviewed by Bob Osborne


This week we focus on recent releases from Jaelem Bhate, Jerry Bergonzi, Walt Weiskopf, Dustin Laurenzi, Michael Bisio, and Harris Eisenstadt plus a handful of top tunes from the jazz archive. Playlist Jaelem Bhate “On the Edge" from On the Edge (Self Released) 00:00 Jerry Bergonzi “1st Ray Intention" from The Seven Rays ...

1

Article: Radio & Podcasts

KUU! Live at BIMHUIS Amsterdam

Read "KUU! Live at BIMHUIS Amsterdam" reviewed by BIMHUIS


KUU! creates a buzz in the Berlin jazz scene with dynamic, precisely executed songs containing sharp commentary on the times we live in. Singer Jelena Kuljić is not only a schooled jazz vocalist, but also a professional actress working with some of Europe's most prominent ensembles including Berliner Volksbühne and Münchner Kammerspiele. Her imaginative ...

16

Article: Album Review

Carlos Bica & Azul featuring Frank Möbus and Jim Black: More Than This

Read "More Than This" reviewed by Henning Bolte


Azul, comprising Portuguese bassist Carlos Bica, guitarist Frank Möbus from Germany and drummer Jim Black from New York, is one of those trios around with a highly notable profile and characteristic signature. No doubt many dedicated music lovers will have their own history with this group that has been active now for more than 20 years. ...

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Article: Year in Review

Il meglio del 2016 secondo Luca Vitali

Read "Il meglio del 2016 secondo Luca Vitali" reviewed by Luca Vitali


Un 2016 iniziato sotto la stella nera di Bowie e la sua dipartita inimmaginabile e, verrebbe da dire, teatrale... come sempre. Blackstar per mille ragioni è il mio disco dell'anno, ma l'uomo che cadde sulla Terra è tornato su Marte e ci guarda da una diversa prospettiva... Quaggiù, è stata un'annata niente male che ...

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Article: Album Review

Paul Van Kemenade: Close Enough

Read "Close Enough" reviewed by Budd Kopman


Close Enough from alto saxophonist Paul van Kemenade was a Downbeat magazine “Best of 2011" and it is no small wonder why. Sub-titled “alto Paul van Kemenade in different settings," the nine tracks range widely in both style and personnel, including a Renaissance vocal ensemble, a duo with cello, three horns and a bass as well ...

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Article: Live Review

String Theory 2016

Read "String Theory 2016" reviewed by Ian Patterson


String Theory 13 North Great Georges Street jny: Dublin, Ireland May 20-21, 2016 String Theory, a two-day celebration of avant-garde guitar craft was no ordinary festival. The fact that the music was experimental, largely improvised and inherently risk-laden isn't what set this inaugural Dublin festival apart, after all it's what ...


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