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For The Unknown
By Bruno Råberg/Phil Grenadier/Allan Chase
Label: Orbis Music
Released: 2016
Track listing: Island Contours; Elastic Quadruple; Metallic Ocean; Time Painting Backwards; Peace Agreement; Sculpture VI; Big Sur Calling; Miro's February; Questionable Premise; Transformational Ghee; Sculpture VII; Sand Clock Revisited; Flurries; Tincture Bell, Pt. I; Tincture Bell, Pt. II; Grater Bubbles; Sculpture VIII; Equuleus; Lullaby for the Unknown.
For The Unknown
By Bruno Raberg
Label: Orbis Music
Released: 2016
Track listing: Island Contours; Elastic Quadruple; Metallic Ocean; Time Painting Backwards; Peace Agreement; Sculpture VI; Big Sur Calling; Miro's February; Questionable Premise; Transformal Ghee; Sculpture VII; Sand Clock Revisited; Flurries; Tincture Bell Part I; Tincture Bell Part II; Grater Bubbles; Sculpture VII; Equuleaus; Lullaby For the Unknown.
Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown
by Mark Sullivan
Bassist Bruno Raberg returns with three-quarters of the quartet from last year's acclaimed Hot Box (Orbis Music, 2015). This outing was based on free improvisations (with extensive electronic sound design by Råberg)--it could be seen as an extension of the two collective improvisations on the previous album. No drums this time, just trumpeter Phil Grenadier, saxophonist ...
Bruno Raberg: For The Unknown
by Dan McClenaghan
Bassist Bruno Raberg's artistry sounds as if it would be a good fit for ECM Records. His music has a drifting elasticity; space is an important component; and his muse has introduced him to electronic sound design--an approach that the Swedish-born, and now Boston-based, performer has embraced. Raberg's sound is unique. Over the course ...
Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown
by Karl Ackermann
Three-quarters of bassist Bruno Råberg's Hot Box (Orbis Music, 2015) quartet, reunites on an unusual trio recording, For The Unknown. Among the unusual aspects of the album are Råberg, trumpeter Phil Grenadier and saxophonist Allan Chase turning out nineteen free improvisations in just over forty-five minutes, eight of the pieces clocking in at less than two ...