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Musician

Enrico Rava

Born:

Enrico Rava, born in Trieste in 1939, is undoubtedly the most internationally acknowledged Italian jazzman. In forty years of his career as trumpet player, and composer, he has produced more than ninety recordings, tweny-five of which as a leader. Being a great admirer of Miles Davis and Chet Baker, his career started at an early age, when he played in clubs in Turin. In 1962, he meets {{Gato Barbieri = 3627}} with whom, two years later, he records the soundtrack for Montaldo's film "Una bella grinta". In those years he meets Don Cherry, Mal Waldron and Steve Lacy, with whom he plays free jazz in a quartet alternating between London and Buenos Aires (it is in Argentina in 1966 that the quartet records the album "The Forest and the Zoo"). In 1967 Rava is in New York, where he is introduced into the free avant-garde, among which are {{Roswell Rudd = 3958}}, Marion Brown, Rashied Ali, Cecil Taylor, Charlie Haden, Marvin Peterson etc. After an italian parenthesis, during which he plays with various musicians including Franco D'Andrea and where he records with {{Lee Konitz = 8463}} in Rome and with Manfred Schoof in Bremen, he returns to New York in 1969, where he lives for eight years. At first he plays mostly with Rudd, Bill Dixon and Carla Bley's Jazz Composer's Orchestra, under whose direction he records "Escalator Over the Hill". Beginning in 1972, when he records his first album as a leader, "Il giro del giorno in 80 mondi", Rava directs quartets (in New York clubs and on tours in Europe and Argentina), nearly always in pianoless groups. The playings and recordings follow one another, in a precious and uninterrupted flow, beside acknowledged italian, european and american musicians such as Franco D'Andrea, Enrico Pieranunzi, Marcello Melis, Massimo Urbani, Paolo Fresu, Pietro Tonolo, Stefano Bollani, Roberto Gatto, John Abercrombie, Roswell Rudd, Miroslav Vitous, Richard Galliano, J.F

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Article: Album Review

Maurizio Minardi: Invisible

Read "Invisible" reviewed by Neil Duggan


Success, if it is attained, comes quickly to only a small minority of musicians. Being in the right place at the right time is often a major factor. Others have a longer journey, one that involves a gradual refinement of their craft over a range of projects. It may take more time, but those experiences can ...

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Article: Album Review

Fred Hersch: Silent, Listening

Read "Silent, Listening" reviewed by Mike Jurkovic


Like many of Fred Hersch's haunted, focused recordings--2017's Grammy nominated Open Book(Palmetto Records), Solo (Palmetto Records, 2015) or In Amsterdam: Live at the Bimhuis (Palmetto Records, 2006)--the short story of Silent, Listening, Hirsch's first solo foray for ECM, is this: Stay for the rich, orchestral novel and the full reward is yours. On his ...

Article: Live Review

Sesto Jazz 2024

Read "Sesto Jazz 2024" reviewed by Neri Pollastri


Sesto Jazz 2024 Cinema Teatro Grotta e Teatro della Limonaia Sesto Fiorentino (FI) 1-3.3.2024 Grande successo di pubblico per l'edizione 2024 del piccolo, ma curatissimo Sesto Jazz Festival, organizzato dalla Scuola di Musica Bruno Bartoletti di Sesto Fiorentino con la collaborazione di Music Pool, grazie a un programma intrigante e di ...

Article: Interview

Joe Lovano: da New York a Bergamo

Read "Joe Lovano: da New York a Bergamo" reviewed by Libero Farnè


Joe Lovano è di casa in Italia. Non so quanto in questo possa influire l'origine siciliana della sua famiglia; penso che la ragione sia da ricercare piuttosto, oltre che nell'estroversa giovialità del carattere, nella sua vocazione di globetrotter che lo ha portato in ogni angolo del mondo con le più svariate formazioni, sue o di altri ...

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Article: Live Review

Umbria Jazz Winter 30

Read "Umbria Jazz Winter 30" reviewed by Libero Farnè


Umbria Jazz Winter 2023 Orvieto Varie sedi 28.12.2023--1.11.2024 Umbria Jazz Winter, tutto concentrato nel centro storico di Orvieto, è un festival a misura d'uomo. Prestigiose le sue sedi, tutte raggiungibili a piedi in trasferimenti di pochi minuti: il Teatro Mancinelli, prezioso teatro all'italiana della seconda metà dell'Ottocento, il maestoso Palazzo del ...

Article: Album Review

Steve Argüelles, Francesco Bigoni, Benoit Delbecq, Francesco Diodati: Weave4

Read "Weave4" reviewed by Neri Pollastri


È piuttosto singolare la musica di questo Weave4 (Parco della Musica Records): aperta fino ad apparir sfrangiata, eppure con un andamento narrativo; astratta e d'ispirazione contemporanea, ma al tempo stesso con un suo palese gusto melodico; con un cuore acustico, avvolto però in un alone elettronico; dubbiosa ed esitante nelle direzioni da prendere, ma ciononostante coerente ...

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Article: Interview

Eleonora Strino: Leading The Way

Read "Eleonora Strino: Leading The Way" reviewed by Ian Patterson


Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...

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Article: Radio & Podcasts

Benjamin Koppel & A Clean Feed Buffet

Read "Benjamin Koppel & A Clean Feed Buffet" reviewed by Maurice Hogue


This episode focuses on several excellent new releases from Clean Feed Records (Mia Dyberg, Ned Rothenberg, Nataniel Edelman, Mikko Innanen, Grzegorz Tarwid, Simon Nabatov, Phillip Greenlief & Mercury) and presents several pieces from Danish saxophonist Benjamin Koppel's White Buses Passage To Freedom. Koppel's important and stunning album is his interpretation of a World War II event ...

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Article: In Pictures

Jazz and Wine of Peace 2023

Read "Jazz and Wine of Peace 2023" reviewed by Luca A. d'Agostino



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