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Donald Bailey
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Donald "Duck" Bailey has helped define the pulse of jazz for more than five decades. Oddly, you're unlikely to find his name listed among fellow trap set innovators; but there is no doubt about Bailey's far-reaching and enduring influence, which dates back to his nine-year tenure with Hammond B3 legend Jimmy Smith from 1956-64. Bailey didn't just help cement the B3, guitar and drums as the definitive instrumentation of the organ combo; he created a lithe trap set vocabulary that gave Smith plenty of room to lay down fat, pedal-generated bass lines while expertly driving the thrilling crescendos that made Smith such a dynamic performer. The generations of musicians who came up in Bailey's wake have all received potent and enduring musical wisdom from the drummer via his work with Jimmy Smith, and he's still got plenty to teach. Bailey's handpicked band for this set includes pianist George Burton, bassist Tyrone Brown, tenor saxophonist Odean Pope, and special guest trumpeter Charles Tolliver.
Jimmy Smith: Dot Com Blues
by Chris M. Slawecki
He's known as one of the founding jazz fathers of Hammond B-3 organ funk, but Jimmy Smith has always played the blues. Born in December 1928 in a suburb west of Philadelphia, Smith has been performing since he was 12, at that time in a song and dance act with his father. After a stint in ...
London Crate-Diggers BBE Reveal Lost J-Jazz Gems
by Chris May
In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. Where else but in Japan," wrote Lourie, can one see a field packed with fifteen thousand teens and twentysomethings roar ...
Sonny Rollins: Ten Colossal Albums
by Chris May
The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.
Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
Back At The Chicken Shack
by Thomas Fletcher
Back At The Chicken Shack celebrates 60 years since its recording date at the Van Gelder Studio in Englewood Cliffs. The same session produced Midnight Special (Blue Note, 1961), though Back At The Chicken Shack would have to wait three years for its release. The label's co-founder, Alfred Lion, later revealed that the healthy sales of ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
L'ultimo hipster. La vita e la musica di Mark Murphy
by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
Montreux Through The Decades: Jazz Recordings, Part One
by Ian Patterson
To celebrate Montreux Jazz Festival's 50th edition in 2016, and as a posthumous tribute to the festival's founder, the late Claude Nobs, All About Jazz is launching a new column entitled Montreux Through the Decades, which will periodically present reviews of officially released live recordings from MJF, from its first edition in 1967 to the present. ...
Jimmy Smith: Groovin’ at Smalls Paradise – 1957
by Marc Davis
I love the jazz organ. I love Jimmy Smith. But I don't love Groovin' at Smalls Paradise. When Smith burst onto the scene in 1956, he was a genuine phenomenon. Not only was he wildly popular, but also wildly prolific. In just three years, from 1956 to 1958, Smith put out a mind-boggling 23 ...