Results for "Contemporary Classical"

Marco Oppedisano

Born: November 20, 1971

Marco Oppedisano is an American guitarist, recording artist and composer whose compositions focus on the innovative use of electric guitar in the genre of electroacoustic music. Since 1999, his compositions have utilized multitrack recording and extended performance techniques for electric guitar and bass. In addition to musique concrète, recent compositions by Oppedisano also consist of "live" electric guitar in combination with a fixed playback of various electronic, acoustic (specifically female voice courtesy of his wife, Kimberly Fiedelman) and sampled sounds.
Oppedisano has performed and recorded with the BIOS trio and with various contemporary music ensembles and musicians in the New York City area

Giuseppe Costa

Giuseppe Costa ha iniziato lo studio del pianoforte a 18 anni e l’attività concertistica appena laureato in pianoforte. Oggi è un artista riconosciuto dagli editori di Spotify ed è presente nelle loro celebri playlist seguite da tantissimi fan, per cui la sua musica è ascoltata negli Stati Uniti, Germania, Regno Unito, Australia, Giappone e conta sul profilo personale migliaia di ascoltatori mensili.

La sua ricerca musicale inizia nel 2009 quando pubblica con la casa editrice SGB di Messina “Curioso” (brano dodecafonico per fagotto solo) e “Tre brani per pianoforte solo” (brani scritti con un approccio sperimentale per lo sviluppo cognitivo del pianista). Per quest’ultimo lavoro, nel 2014, BookCity Milano lo seleziona per un concerto conferenza al teatro Dal Verme. Questi brani fanno parte del progetto “Studi”.

Daniel Reyes Llinás

Born: January 5, 1978

Daniel Reyes Llinás, a Colombian composer, guitarist, and producer, derives inspiration from rhythmic and melodic angularity. He weaves atonal architectures with vibrant lyricism into his music. As a leader, Daniel has released two albums: "Molino," a captivating collage of world and new music, and "En Remolinos," a bold exploration that blurs the boundaries between improvisation and composition. His contributions can be heard on Parias Ensemble's experimental "St. Mark's sessions" and on the eclectic collaborative EP "re:SET vol:1”

Dominique Reilly

Izumi Kimura

Pianist Izumi Kimura explores between abstract and concrete, improvising and composing. She has performed extensively throughout Ireland and abroad since moving from Japan in 1995, and worked with some of the leading performers and ensembles from both disciplines of classical, jazz and improvised music, including RTE Symphony Orchestra, RTE Concert Orchestra, Crash Ensemble, Michael d’Arcy, Mia Cooper, Ken Edge, Benjamin Dwyer, Gerald Barry, John Buckley, Kevin O’Connell, Ian Wilson, Fergus Johnston from the world of classical music, and with jazz and improvising musicians including Barry Guy, Gerry Hemingway, Tommy Halferty, Ronan Guilfoyle, Michael Buckley, Joe O’Callaghan, Oki Itaru, Dominique Pifarély, Benoît Delbecq, Stéphane Payen, Marco Colonna, Sarah Buechi, Lina Andonovska, Mathew Jacobson, Nick Roth, Colm O’Hara, Cora Venus Lunny. She has appeared in the festivals including RTE Living Music Festival, Boyle Arts Festival, Dublin Dance Festival, Dublin Fringe Festival, Bray Jazz Festival, Kilkenny Arts Festival, Ghent Street Festival of New Music, Music 21’s ‘Brazil Now’, ‘Artes Da Irlanda’ in Sao Paolo, Creative Connexions in Sitges, Ad Libitum Festival in Warsaw, and many more.

Eduardo Rojo

Born: February 13, 1979

His work is characterized by the influence of different kind of music, principally folk, classical and jazz music. He has worked with Mr. Dennis Mackrel (Count Basie, Maria Schneider, Mel Lewis Orchestra…), Jazz Orchestra of the Concertgebouw, Franco D’Andrea, Nederlands Blazers Ensemble, AKOM Ensemble, the flamenco guitarist Gerardo Núñez, the flamenco dancer Carmen Cortés, Codarts Big Band, Peter-Jan Wagemans, Paul M. Van Brugge, Tim Kliphuis, Barga Jazz Orchestra, Canary Islands Big Band, The New Music Ensemble of Rotterdam and Sole Giménez, among others.

Tamar Sagiv

Born: December 6, 1994

Praised for her unique and deep sound, New-York based cellist Tamar Sagiv, recipient of the Zubin Mehta certificate of honour and creator of the #backinthepark project, is one of the most unique voices in the NYC cello scene.

​Recipient of several scholarships from the America-Israel Cultural Foundation (AICF) for cello studies, she performed various concerts in venues such as Lincoln Center, Alice Tully Hall and Carnegie Hall. Additionally, Tamar recorded several broadcasts for the Israeli National Radio.

​Tamar Sagiv was born on December 6th 1994 in a small town in the north of Israel. She started her cello studies at the age of 8 with Uri Chen in the Klor Music Center in Kfar Blum. At the age of 15 she started studying at the Israeli Arts and Science Academy in Jerusalem and continued her cello studies with Mr. Hillel Zori in Tel-Aviv. At that time Tamar joined the Jerusalem Music Center (JMC) Outstanding Young Program Unite where she played as the leader of the cello section in the Israel Young Philharmonic Orchestra and in the chamber music programs.

Kristen Mather de Andrade

Born: December 29

New York-based artist Kristen Mather de Andrade has immersed herself in a broad array of musical worlds and cultures, from the classical canon to world music, and beyond. Devoting time to both the worlds of clarinet and voice, Mather de Andrade has enjoyed a career of prime accolades and acclaim within her chosen musical paths, but these days music feels as vital as ever as she explores being a solo artist. This fresh outlet of releasing her own recorded music has been transformative, as Kristen is already releasing her sophomore album As Bright As The Skies Are Blue on the heels of her debut album Clarão (2021). 

Michael William Gilbert

Born: August 17, 1954

Michael William Gilbert grew up in Connecticut and Brussels, Belgium. While living in Europe he first encountered the music of Varese, Stockhausen, and Pierre Henry, as well as music of India, Africa, and Japan. After studying electrical engineering at MIT, he continued studies in music at the Boston School of Electronic Music, later as a teacher and designer of synthesis systems. He graduated with a degree in music from Hampshire College, and shortly thereafter became the technical director of electronic music studios at Amherst College, Smith College, Hampshire College, and the University of Massachusetts Amherst. He has since taught electronic music at Hampshire College, the University of Massachusetts Amherst, and Holyoke Community College. 

Michael A Levy

Born: July 2, 1948

My early musical influesnes were entirely classical. Primarily Chopin. Actually, my mom taught me my first stride bass tune, St.Louis  Blues. In my teens I started playing in bands and acquired copies of the then “illegal” fake books. The world of standards opened up and I learned lots of them, comping basic chords in  my left hand. 

Around 15 I became exposed to the jazz genre. Miles, Monk, Brubeck, MJQ. Those sounds became my jazz foundation. I tried to improvise but it was unguided and not very adventurous. Of course I listened to a lot of lesser luminaries, but still great… Horace Silver, Yusef Lateef, Ahmad Jamal, Ravi Shankar, etc.