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Chuck Wayne
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Had Charlie Christian not died of tuberculosis at age 25 in 1942, he certainly would have been the first guitarist to record bebop. His single-string attack on Up on Teddy's Hill with Dizzy Gillespie, captured live at Minton's in 1941, was clearly ahead of its time. But the solo was more blues than bop, a jazz form that hadn't been fully formed yet. The first bebop guitar solo recorded in a studio would come three years later, on February 9, 1945 when Dizzy Gillespie led a sextet on two tracks for Guild Records. The guitarist on the date was Chuck Wayne, who today is more closely associated with the George Shearing Quintet and Tony Bennett's early records
Eleonora Strino: Leading The Way
by Ian Patterson
Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...
Michael Ragonese: Stracci
by Pierre Giroux
It would probably be a hyperbole to say that young jazz pianists are “a dime a dozen." Perhaps it would be more accurate to say that there are some stellar younger jazz pianists working today, such as Emmet Cohen, Kenny Banks Jr., and Paul Cornish, and that if you are going to play in this league, ...
A Fireside Chat With Tony Bennett
by AAJ Staff
This interview was first published on All About Jazz in September 2001. Tony Bennett hails from a period in Americana where style loomed larger than sustenance and men were less than men without a martini or scotch in one hand and a cigar or cigarette burning from the other. Those were the days. And ...
These Are My Roots: Clifford Jordan Plays Leadbelly
Label: Pure Pleasure
Released: 2021
Track listing: Side One: Dick’s Holler; Silver City Bound; Take This Hammer; Black Betty; The Highest Mountain. Side Two: Goodnight Irene; De Gray Goose; Black Girl; Jolly O The Ransom; Yellow Girl.
Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly
by Chris May
These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...
Johnsen / Sahlander / Moen: Second Time's The Charm
by Friedrich Kunzmann
Bernt Moen's second trio strike with bassist Fredrik Sahlander and drummer Geir Age Johnsen is a balanced set of a few atmospheric Moen originals and well-known standards. Like on predecessor 1+1=3 (Losen Records, 2020), Second Time's The Charm sees the players interpret standards loosely, adding modern influences and physical interplay to popular melodies that sometimes venture ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Chuck Wayne in 11 Clips
Fleet-fingered and an ear for the saxophone, Chuck Wayne was one of the first guitarists to play bebop. He recorded with Joe Marsala and Dizzy Gillespie in January 1945 and then with the Gillespie Sextet in February on Groovin' High and Blue 'n' Boogie with Dexter Gordon. He also was in Woody Herman's First Herd in ...
Meet John Reilly
by Tessa Souter and Andrea Wolper
John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...
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