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Doug MacDonald & the Tarmac Ensemble: Jazz Marathon 4: Live at Hangar 18
by Jack Bowers
As befits a Jazz Marathon, guitarist Doug MacDonald's Live at Hangar 18 embodies not one but two CDs, complete with shifting personnel and groups that range from quintet to septet. This is the fourth in a recorded series of marathons conceived by producer Don Thomson and led by MacDonald with a supporting cast that boasts a ...
That Old East Coast-West Coast Thing
Following yesterday’s Rifftides post announcing the Jazz Journalists Association poll winners, vibraphonist Charlie Shoemake commented: Randy Weston has had a long and distinguished career as have many of the other deserving award winners. Just curious, though, if any jazz artists from the west coast have ever been or ever will be recognized. It always seems in ...
Charlie Shoemake: Vibe Jibe
For the life of me I have no idea why Charlie Shoemake isn't a household name. He's easily one of the finest jazz vibists around and yet he's largely unknown. He loves melody and harmony and most of all he swings. Maybe it's because he doesn't have a Wiki page or a website. Or because his ...
Sex and the Jazz Musician: The Brutal Truth!
by Mort Weiss
The following is taken from the chronicles of a gold panel Committee of select persons from the international confines of various state institutions that hold such findings sacred--the long-term commitment of these individuals that have given rant to their multitudinous ravings on this highly personal topic.In my course of dumpster diving for salvation, I ...
On White Guys Playing The Blues, and Benny Goodman Practicing Nude
by Mort Weiss
Yes, I drank muddy water--and slept in a hollow log! Um, hmm! I said that I steady drank muddy water, and slept in a hollow log. Ah huh! An' all I wanna do is tell my story on dis here music blog. Oh, yeah!The blues. If you can't play them, you ain't never had ...
George Shearing, 1919-2011
George Shearing died early today at the age of 91. With his quintet, Shearing used a locked-hands technique at the piano, blending with vibes and piano to develop a style that resonated with listeners and became one of the most recognizable sounds in an era when jazz was still at the core of popular music. He ...
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