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Buck Clayton
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Buck Clayton first rose to national fame as the lead soloist with the first great Count Basie band that roared out of Kansas City in late fall, 1936. Ironically, while Clayton’s understated, bell-like sound is associated with the hard swinging Kansas City style, he actually spent little time in Kansas City. By the time he arrived at the famed Reno Club, a small dive on 12th Street, Clayton had already led a colorful career as a band leader, ranging from Los Angeles to Shanghai. Born in Parsons, Kansas, Clayton grew up in a musical family. Clayton’s father, a minister, taught him the basics of music
Kansas City Jazz: A Little Evil Will Do You Good
by Andrew Hunter
Kansas City Jazz: A Little Evil Will Do You Good Con Chapman 358 pages ISBN: # 978 1 80050 282 6 Equinox Publishing Limited 2023 In January 1920, the Eighteenth Amendment to the United States Constitution came into effect, ushering in 14 years of Prohibition and, inadvertently, a golden ...
Basie All Stars: Live At Fabrik Vol. 1
by Chris May
Such are the glories of his band's recorded legacy from the 1930s through the 1950s, that the mere mention of Count Basie's name will trigger a Pavlovian response from his fan base. Like no other, the Count Basie Orchestra epitomised big-band swing at its most sublime; reefer fuelled, riff based, loose and louche Kansas City jazz ...
Rich Halley: Boomslang
by Mark Corroto
Jazz has, to some extent, always been about making connections and pointing out interrelations. Ever since Buddy Bolden blew his cornet in New Orleans around the start of the twentieth century, listeners have been playing connect the dots, linking Bolden's innovations to King Oliver and Oliver's to Louis Armstrong, likewise Buck Clayton to Dizzy Gillespie and ...
Jon Raskin: Book 'P' of Practitioners
by Hrayr Attarian
Saxophonist Steve Lacy was famous for writing music dedicated to artists who inspired him. Some of his rarely heard etudes for solo saxophone are divided equally into three books, each named by a letter. Of these, he only recorded one set in his lifetime, Hocus Pocus—Book 'H' of “Practitioners" (Crépuscule, 1986). Equally idiosyncratic saxophonist Jon Raskin, ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
New Book Teaches Newcomers How To Listen To Jazz
“Lots of people want to listen to jazz, but they don’t know where to start,” says Mark Barnett, author of Getting Into Jazz, a new book from Canoe Tree Press that offers lively tips on how to listen, along with step-by-step guides through some classic jazz CDs featuring such artists as Louis Armstrong, Stan Getz and ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
River City Jazz Masters Preview, Newk, Tadd & More
by Marc Cohn
Happy 89th birthday to Mr. Sonny Rollins! After some 21st century music from Hudson, Joshua Redman (his latest), UK pianist Zoe Rahman [whew!], Chicagoland's Geof Bradfield & Kamasi Washington, we preview the Baton Rouge River City Jazz Masters 2019-2020 season at the Manship Theatre (Eddie Palmieri, Eric Alexander, Nicholas Payton AND Jazzmeia Horn)! It's ...
Val Wilmer: Dues And Testimony
by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...
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