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Musician

Brad Gibson

Brad Gibson is a Seattle-based drummer known for his role as a supportive and dynamic musician. In addition to his work as a sideman, Brad has recorded and produced four albums of original music: Epilogue / Procession (2017), Space (w/ Mack Grout, 2016), Poontet (2014) and The Amber Tone (2008). He continues his monthly residency of original and standards-based ensembles at Vito's Restaurant & Lounge in 2017. In 2009, Jim Knapp commissioned Brad for a new work to be performed by the Jim Knapp Orchestra, resulting in Winter Moving. In 2014, Brad was awarded an artist in residency scholarship by Jack Straw Productions to be applied towards a recording of new music resulting in the six-song EP, Epilogue / Procession.

Album

KO Ensemble Live at the Royal Room

Label: self-released
Released: 2020
Track listing: 1. All Pear-Shaped 07:10 2. To the Left 07:22 3. Afterthoughts 04:24 4. Nominally Challenged 06:01 5. Bachelor Party 06:29 6. So It Goes 07:56 7. Weigh Out 06:36

Album

Epilogue / Procession

Label: self-released
Released: 2017

1

Article: Album Review

Brad Gibson: Poontet

Read "Poontet" reviewed by Vincenzo Roggero


Poontet è una piccola, sorprendente finestra aperta sulla effervescente scena musicale di Seattle. Un EP, poco più di trenta minuti di musica che raccoglie fermenti e suggestioni contemporanee e li colloca in una dimensione temporale trasversale a diverse epoche e influenzate da differenti generi. La combinazione di tastiere analogiche e tastiere digitali crea sonorità cosmiche, ideale ...

Album

Poontet

Label: Self Produced
Released: 2014
Track listing: The Matriarch; I Hope U Make It Dirty; Round & Round; Andrea; Twilight; Blue Topaz.

6

Article: Album Review

Brad Gibson: Poontet

Read "Poontet" reviewed by Hrayr Attarian


Seattle drummer Brad Gibson's second release as a leader Poontet is a spicy batch of soulful grooves that belong on the soundtrack of a 1970s gritty detective film. Heavily reliant on electric instrumentation and densely atmospheric these half a dozen tracks are short on improvisational rigor without being mundane. They also allow for some soloing room ...


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