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Benny Carter
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Benny Carter's long career was consistently characterized by high musical achievement, and he developed a unique and readily identifiable style as both an alto saxophonist and an arranger. He was able to double on trumpet and was also proficient on clarinet, piano, and trombone. His saxophone playing was pure-toned, fluid, and flawlessly phrased. One of the trademark sounds of his arrangements was four saxophones harmonizing one of his swooping melodies as if they were one instrument improvising. He also created the big-band model of contending brass and reed sections, anticipated harmonic trends that would later appear in bebop, and transformed a clunky Western notion of musical time into something more buoyant and fresh. Benjamin Lester Carter was born on August 8, 1907, in New York City and grew up in tManhattan (near Lincoln Center). He took piano lessons from his mother as a young boy, but his musical heroes were trumpeters like his cousin, Theodore Bennett, and Bubber Miley, who played with Duke Ellington
Hilary Gardner: On the Trail With the Lonesome Pines
by John Chacona
It might be hard for the young'uns to believe, but there was a time when movie houses and television screens were filled with westerns. Tales of cowpokes and their trusty horses, outlaws, dogies and tumblin' tumbleweeds were so popular that various sub-genres of westerns flourished as brand extensions. One of these featured the singing cowboy trope, ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Curtis Counce: You Get More Bounce With Curtis Counce!
by Richard J Salvucci
When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to jny:Los Angeles to learn his craft, ...
Kate Gentile's New Opus, Music For Hi-Fi Bugs, David S. Ware
by David Brown
This week, an ambitious electro-acoustic release from drummer/composer Kate Gentile; big band works from Benny Carter, Pete Rugolo, Thad Jones/Mel Lewis and Gard Nelssen; Ellingtonia from the '60s new thing, and finally a birthday remembrance of David S. Ware. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of ...
The Jim Self & John Chiodini Quintet: Touch and Go
by Jack Bowers
A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and ...
Jazz Musician of the Day: Benny Carter
All About Jazz is celebrating Benny Carter's birthday today! Benny Carter's long career was consistently characterized by high musical achievement, and he developed a unique and readily identifiable style as both an alto saxophonist and an arranger. He was able to double on trumpet and was also proficient on clarinet, piano, and trombone. His saxophone playing ...
John Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves ...
Steven Feifke: The Generation Gap Jazz Orchestra
by Angelo Leonardi
Metti assieme un talentoso giovane orchestratore come Steven Feifke, un trombettista di prima grandezza come Bijon Watson e una big band con grandi nomi e prestigiosi ospiti e il risultato è scontato. Il debutto della Generation Gap Jazz Orchestra è stato propiziato dalla collaborazione col Jazz Education Network ed ha assunto le vesti di ...
Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola
by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a ...