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Musician

Benny Carter

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Benny Carter's long career was consistently characterized by high musical achievement, and he developed a unique and readily identifiable style as both an alto saxophonist and an arranger. He was able to double on trumpet and was also proficient on clarinet, piano, and trombone. His saxophone playing was pure-toned, fluid, and flawlessly phrased. One of the trademark sounds of his arrangements was four saxophones harmonizing one of his swooping melodies as if they were one instrument improvising. He also created the big-band model of contending brass and reed sections, anticipated harmonic trends that would later appear in bebop, and transformed a clunky Western notion of musical time into something more buoyant and fresh. Benjamin Lester Carter was born on August 8, 1907, in New York City and grew up in tManhattan (near Lincoln Center). He took piano lessons from his mother as a young boy, but his musical heroes were trumpeters like his cousin, Theodore Bennett, and Bubber Miley, who played with Duke Ellington

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Article: Album Review

Hilary Gardner: On the Trail With the Lonesome Pines

Read "On the Trail With the Lonesome Pines" reviewed by John Chacona


It might be hard for the young'uns to believe, but there was a time when movie houses and television screens were filled with westerns. Tales of cowpokes and their trusty horses, outlaws, dogies and tumblin' tumbleweeds were so popular that various sub-genres of westerns flourished as brand extensions. One of these featured the singing cowboy trope, ...

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Article: Bailey's Bundles

Late-Period Art Pepper Box Sets

Read "Late-Period Art Pepper Box Sets" reviewed by C. Michael Bailey


In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...

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Article: Album Review

Curtis Counce: You Get More Bounce With Curtis Counce!

Read "You Get More Bounce With Curtis Counce!" reviewed by Richard J Salvucci


When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to jny:Los Angeles to learn his craft, ...

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Article: Radio & Podcasts

Kate Gentile's New Opus, Music For Hi-Fi Bugs, David S. Ware

Read "Kate Gentile's New Opus, Music For Hi-Fi Bugs, David S. Ware" reviewed by David Brown


This week, an ambitious electro-acoustic release from drummer/composer Kate Gentile; big band works from Benny Carter, Pete Rugolo, Thad Jones/Mel Lewis and Gard Nelssen; Ellingtonia from the '60s new thing, and finally a birthday remembrance of David S. Ware. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of ...

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Article: Album Review

The Jim Self & John Chiodini Quintet: Touch and Go

Read "Touch and Go" reviewed by Jack Bowers


A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and ...

News: Birthday

Jazz Musician of the Day: Benny Carter

Jazz Musician of the Day: Benny Carter

All About Jazz is celebrating Benny Carter's birthday today! Benny Carter's long career was consistently characterized by high musical achievement, and he developed a unique and readily identifiable style as both an alto saxophonist and an arranger. He was able to double on trumpet and was also proficient on clarinet, piano, and trombone. His saxophone playing ...

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Article: Album Review

John Coltrane: Evenings At The Village Gate

Read "Evenings At The Village Gate" reviewed by Mike Jurkovic


All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves ...

Article: Album Review

Steven Feifke: The Generation Gap Jazz Orchestra

Read "The Generation Gap Jazz Orchestra" reviewed by Angelo Leonardi


Metti assieme un talentoso giovane orchestratore come Steven Feifke, un trombettista di prima grandezza come Bijon Watson e una big band con grandi nomi e prestigiosi ospiti e il risultato è scontato. Il debutto della Generation Gap Jazz Orchestra è stato propiziato dalla collaborazione col Jazz Education Network ed ha assunto le vesti di ...

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Article: Liner Notes

Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola

Read "Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola" reviewed by John Kelman


It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a ...


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