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Amiri Baraka
Born:
Amiri Baraka, born in 1934, in Newark, New Jersey, USA, is the author of over 40 books of essays, poems, drama, and music history and criticism, a poet icon and revolutionary political activist who has recited poetry and lectured on cultural and political issues extensively in the USA, the Caribbean, Africa, and Europe. With influences on his work ranging from musical orishas such as Ornette Coleman, John Coltrane, Thelonius Monk, and Sun Ra to the Cuban Revolution, Malcolm X and world revolutionary movements, Baraka is renowned as the founder of the Black Arts Movement in Harlem in the 1960s that became, though short-lived, the virtual blueprint for a new American theater aesthetics
New York Art Quartet: New York Art Quartet Revisited
by Alberto Bazzurro
Questa preziosa (ancora una volta) riedizione di oltre un'ora e un quarto di musica riunisce i primi due album di uno dei gruppi più leggendari della stagione free, il primo intitolato semplicemente col suo nome e pubblicato dall'altrettanto leggendaria ESP fondata nel 1963 da Bernard Stollman (incisione del 16 novembre 1964), il secondo, Mohawk, di pochi ...
Willie Morris: Conversation Starter
by David A. Orthmann
The story is old, predictable and often exasperating. A virtually unknown jazz musician distinguishes himself or herself as part of the supporting cast on a handful of recordings. And then begins the wait to see if any label will offer the young, deserving player a shot in the driver's seat. Early this year, ...
Dimitri Grechi Espinoza: la tranquillità interiore per suonare gli standard
by Neri Pollastri
Senza volerlo, le nostre interviste a Dimitri Grechi Espinoza hanno una curiosa cadenza decennale: la prima fu nel 2003, quando il sassofonista russo-livornese stava facendo crescere il suo Dinamitri Jazz Folklore; la seconda nel 2014, quando il Dinamitri suonava con Amiri Baraka e il musicista aveva attivo un eccellente duo con Tito Mangialajo Rantzer; siamo di ...
Avram Fefer, Tell No Lies, Tru Cargo Service & Pia Hernandez
by Maurice Hogue
The flood of new releases continues unabated and this episode jumps right into the deep end, sampling new works from a pair of European bands, Tru Cargo Service from Germany and Tell No Lies from Italy, German drumming legend Gunter Baby Sommer in a duo with Scottish saxophonist Raymond McDonald, Buenos Aires pianist Pia Hernandez, Dave ...
Archie Shepp: Fire Music To Mama Too Tight Revisited
by Chris May
In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and ...
Bebop, Beats, and the Drive of Beat Literature
by Arthur R George
"Mulberry-eyed girls in black stockings, Smelling vaguely of mint jelly and last night's bongo drummer... fling their arrow legs / To the heavens / Losing their doubts in the beat" of jny: San Francisco nights, announced poet Bob Kaufman's “Bagel Shop Jazz." (Solitudes Crowded with Loneliness, New Directions Publishing, 1965; Collected Poems of Bob Kaufman, City ...
Results for pages tagged "Amiri Baraka"...
The Red Microphone
THE RED MICROPHONE: Neo-Beat, Post-Punk Liberation Jazz John Pietaro: poetry, voice, percussion Ras Moshe Burnett: tenor saxophone, flute Rocco John Iacovone: alto saxophone Dave Ross, electric guitar Laurie Towers: fretless and fretted electric bass The Red Microphone’s radical poetry and improvisational music draws on the fervent history of free jazz, Left culture, the Beat Generation and New York’s punk underground. The band’s saxophonists—Ras Moshe Burnett and Rocco John Iacovone—intertwine and off-set the pulsating lines of guitarist Dave Ross and bassist Laurie Towers, propelling center the spoken word of John Pietaro
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
A Conversation with Amiri Baraka
by Lazaro Vega
From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...
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