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Al Hirt
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A phenomenally proficient trumpet player, Al Hirt was one of the most successful instrumental recording artists of the 1960s. Perhaps modeling his genial stage personality after Louis Armstrong, Hirt was a tremendously popular performer, easily capturing the center of attention with his massive 300-pound, 6-foot-2 frame (among his nicknames were "Jumbo" and "The Round Mound of Sound") but holding it with his joyful spirit and jaw-dropping virtuosity. Although Hirt came out of New Orleans leading a Dixieland band, he never let himself get stereotyped in that narrow genre. He was honest about his choice of style, never calling what he played "jazz": "I'm a pop commercial musician," he once said
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Meet Jack DiMonte
by Tessa Souter and Andrea Wolper
As a teenager in central New Jersey, our newest Super Fan, Jack DiMonte, started listening to a twice-weekly all-Sinatra radio show and, without even realizing it, absorbing the music and lyrics of the Great American Songbook. Moving to New York as an actor, he soon found himself luxuriating in the city's vibrant jazz and cabaret scenes. ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
New Orleans Jazz Orchestra: Songs: The Music of Allen Toussaint
by Jack Bowers
Allen Toussaint (1938-2015), a composer / producer who made his mark in the broad spheres of R&B, rock and roll, funk, country and pop music, may seem at first glance an unusual choice for a big-band jazz tribute. On the other hand, the New Orleans native never strayed far from the pivotal music of his home ...
New Orleans Jazz and Heritage Festival 2018
by Mark Robbins
Yes, Virginia, there is jazz at the New Orleans Jazz and Heritage Festival. From it's inception in 1970, George Wein, mastermind of the Newport Jazz Festival and the Newport Folk Festival, created a festival that was indigenous with New Orleans. Whether it was the music, food, arts and crafts everything was New Orleans. That first year ...
Mark Morganelli: Adds Club Owner To His Resume
by R.J. DeLuke
Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the jny: New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he ...
Dave Zoller: Evidence - Music of Thelonious Monk
by Patrick Burnette
Younger readers may not believe this, but there was a time when all-Thelonious Monk tribute albums were a rarity. During most of Monk's lifetime, musicians focused on a few of his best-known tunes ("Round Midnight" was--and remains-- the obvious favorite). But then Steve Lacy, Roswell Rudd, and other champions of Monk began to devote whole albums ...
Walt Weiskopf: All About the Sound
by Bob Kenselaar
What is it that drives Walt Weiskopf? It's all about the music, all about the sound.He's reached a large audience in ten years of touring with Steely Dan. He's written a half dozen books on jazz improvisation techniques and methods, and he's taught at the Eastman School of Music, Temple University and New Jersey ...
Hey, George Frazier—I’m 10 Years Old Over Here
by Brian Dunn
I went a little crazy when I discovered jazz as an 8-year-old kid. I already played trumpet in the school band, but none of that music swung. My ears begged for something with more energy and urgency. The family record collection was of little help. We owned precisely five albums, the jazziest of which was Herb ...
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