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Gabriel Bey
Born:
Gabriel Bey, Chief Creative Officer at Moorish Manor Publishing, Management & Moor.
Composer, Publisher, Trumpeter and Leader of the band, Spooky Kool, Your Friend in the Spiritual Age, where you can experience the best in “Head Boppin’ Jazz,” and performing as Gabriel Bey and Friends.
Gabriel performs with many different artists, but his joy comes from performing with the many different area Jazz Bands; like the SMCC Latin Jazz Band, Scottsdale Jazz Band, and the South Mountain Community Fat Jazz Band.
Additionally, Gabriel serves on the Music Advisory Committee for Scottsdale Community College and Manages KingdomworK Recording Studio. He is a member of NAMM; Eliances; and the American Federation of Musicians, Local 586 where he serves as a Trustee, Chairs the Outreach Committee, and is a Host on Radio 586 AZ Roots and KRDP 90.7 FM.
About Andres Marcos Revellado
Instrument: Producer
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Andres Marcos Revellado
Born:
Andrés-Marcos Revellado is a Spanish multi-instrumentalist based in Zurich, who started very early his musical formation. Trained jazz bass and double bass player; plays also guitar, piano and drums. Swimmer against stream; his approach to electronic music is strongly influenced by acoustic and improvised forms of music. He has also worked for theatre companies as composer and performer, and played in every sort of ensemble going from hard rock groups to jazz big bands. Constantly attempting to break the boundaries between jazz and electronic music, has never liked rules, and never had interest in guidelines and belonging to a single musical style. He plays hardware/software/instrumental live acts focussed on improvisation and live performance
About Thomas Wingren
Instrument: Percussion
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Thomas Wingren
Born:
Wingren has dedicated most of his life to studies in percussion and his career as a free-lance musician. His drive for expanding his knowledge has taken him to places of special musical interest like New York, Rio de Janeiro and Havana for in-depth studies. Though the folk music tradition always has been the starting point, the use of percussion in jazz and progressive electronica has been his focus the last couple of years. By widening his field of work in this direction a lot of new possibilities have opened up with the use of samplers, looping-techniques and computer based gear. The integration of new technology in acoustic music has resulted in Wingrens most ambitious project to date, Soundscape Orchestra which is a quintet playing futuristic electronic jazz based on productions in Ableton Live