Ximo Tebar: Steps (2009)

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Ximo Tebar: Steps
Steps, by guitarist extraordinaire Ximo Tebar, may be his most deceptive yet. At first blush, it appears to channel the funky grooves of latter-day Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
and Marcus Miller
Marcus Miller
Marcus Miller
b.1959
bass, electric
. But then, with complex melodic invention and accelerated rhythmic accentuation it soon becomes evident that this music embodies an ebullient sound of surprise. If anything, Tebar channels a star-bright sound with a touch of barely discernable, molten duende and the speed of John McLaughlin
John McLaughlin
John McLaughlin
b.1942
guitar
, in a sinewy, self-assured elegance that makes him one of a kind. And in this self-assuredness, the guitarist is able to turn his axe into an almost vocal instrument that embarks on its own aria-like sojourns when the need arises. To this extent he slips into a line that began with Charlie Christian
Charlie Christian
Charlie Christian
1916 - 1942
guitar, electric
and continued from Wes Montgomery
Wes Montgomery
Wes Montgomery
1925 - 1968
guitar
to George Benson
George Benson
George Benson
b.1943
guitar
. His long loping melodic lines often mimic upward flight, while the darting arpeggios are sometimes lightening fast and at other times more languid and brooding.

The record strikes a mature note right at the very beginning. Henry Mancini's theme from The Pink Panther (1963) is a bold move that comes from being self-assured. A standard such as this is rarely attempted on a record, unless the performing artist is one who's cut his chops and paid his dues. Not only does Tebar open his session with a Mancini tune, but he does so at an even more laidback pace, virtually reinventing the time signature. He does no less with a complete reworking of John Coltrane
John Coltrane
John Coltrane
1926 - 1967
saxophone
's "26-2" that becomes a slow, sensuous, and swinging bossa nova, as he scats in accompaniment. Wayne Shorter
Wayne Shorter
Wayne Shorter
b.1933
saxophone
's legendary "Nefertiti" is played bolero-like, but with a twisted, Latin flavor, and inhabits a constant, dreamlike state, with Orrin Evans
Orrin Evans
Orrin Evans
b.1975
piano
' Rhodes and Tebar's guitar playing almost bashfully off each other. Herbie Hancock
Herbie Hancock
Herbie Hancock
b.1940
piano
's "Actual Proof" is deconstructed with a gleefully boppish time signature, the undulating tones of the Rhodes creating a memorable, svelte background for the guitar and other instruments to enter the fray. But it is Tebar's compositions that create the biggest dent in the memory.

"Four On Six For Wes," is descriptive of another quirky time signature that also captures Montgomery's character as it ascends and descends the fret-board, pulling together a remarkable string of solos from Rhodes and guitar so that it appears the two instruments are creating a new relationship, like the drum and the bass once did with hip-hop. Tebar's guitar is absolutely speech-like throughout his solo, which is quite refreshing. "Zap" is a quieter track by all accounts, while the title track is an unabashedly clever re-write of John Coltrane

John Coltrane
John Coltrane
1926 - 1967
saxophone
's "Giant Steps." It's a perfect end to the session and is also a refreshingly bright musical recollection and doffing of the proverbial hat to Coltrane's sheets-of-sound, as exemplified by the saxophone icon's original. The Spanish Tebar has found many admirers in the US because he is so chameleon-like—a shining example of whatDuke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
once called the jazz "Sound of Surprise."

Track Listing: Pink Panther; Four On Six For Wes; Zap; 26-2; Actual Proof; Nefertiti; Essential Passion; Steps.

Personnel: Ximo Tebar: guitar; Orrin Evans: Rhodes; Donald Edwards: drums; Alex Blake: acoustic bass; Boris Kozlov: electric bass; Ester Andujar: backing vocals; Ramon Cardo: soprano saxophone; Santi Navalon: keyboards; Stefan Braun: cello; Kiko Berenguer: tenor saxophone; David Pastor: trumpet.

Record Label: Sunnyside Records

Style: Funk/Groove


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